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Course Descriptions
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Graduate |
Undergraduate |
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556-60100-31 |
556-10100-31 |
Voice |
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556-60300-31 |
556-10300-31 |
Piano |
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556-60500-31 |
556-10500-31 |
Organ |
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556-60700-31 |
556-10700-31 |
Harpsichord |
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556-60900-31 |
556-10900-31 |
Violin |
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556-61100-31 |
556-11100-31 |
Viola |
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556-61300-31 |
556-11300-31 |
Cello |
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556-61500-31 |
556-11500-31 |
String Bass |
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556-61700-31 |
556-11700-31 |
Guitar |
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556-62100-31 |
556-12100-31 |
Flute |
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556-62300-31 |
556-12300-31 |
Oboe |
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556-62500-31 |
556-12500-31 |
Clarinet |
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556-62700-31 |
556-12700-31 |
Bassoon |
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556-62900-31 |
556-12900-31 |
Saxophone |
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556-63100-31 |
556-13100-31 |
French Horn |
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556-63300-31 |
556-13300-31 |
Trumpet |
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556-63500-31 |
556-13500-31 |
Trombone |
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556-63700-31 |
556-13700-31 |
Baritone |
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556-63900-31 |
556-13900-31 |
Tuba |
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556-64100-31 |
556-14100-31 |
Percussion |
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556-64500-31 |
556-14500-31 |
Conducting |
551-23200-11
Music Theory IV
LA
Study of advanced harmonic materials including the Neapolitan chord, augmented sixth chords, chromatic modulations, linear harmony, extended tertian chords, and planing. Melody harmonization, realization of figured and unfigured bass lines, and creative work. Harmonic and structural analysis of pieces in ternary form. Aural recognition of sonority types, harmonic progressions, textures, and form. Prerequisites: 551-23100. 2 credits.
551-23400-11
Advanced Sight-Singing IV
LA
Advanced musical skills are developed further through study of modulations to distant-related keys, transient modulations, and modal melodies. Introduction to
20th-century music through Impressionist, post-tonal, and atonal melodies; trichord patterns; and complex rhythmic and metric combinations. Prerequisites: 551-23300. 1 credit.
551-33100-11
Analysis of
20th-Century Music
LA
Study of the harmonic, rhythmic, melodic, and formal techniques of 20th-century music. Introduction to various analytical systems. Prerequisites: 551-23200 or 551-23600. 2 credits.
552-73500-41
The Choral Music Experience
Offered by nationally recognized choral conductor and clinician Janet Galván, along with composer and conductor Francisco Núñez, this workshop will feature ways to incorporate national standards into the choral setting while enhancing the quality of both the performance experience and the sound of the ensemble. The Choral Music Experience brings an integrated approach to music education, combining the development of performance skills with the acquisition of musical knowledge. The repertoire will be varied, featuring distinctive works for all levels (easy to difficult) from several styles and periods for treble voices, mixed choirs, and young men’s choruses. Workshop participants will receive instruction in score study; conducting; vocal pedagogy; Latin singing, dancing, and drumming; and rehearsal techniques. Resident singers aged 5-12 will be part of the workshop as well. 2 credits or noncredit.
552-73700-41
Ithaca College Northeast
Wind Symposium
The Ithaca College Northeast Wind Symposium is designed to investigate and improve techniques of conducting and
rehearsing and to explore other topics of interest to the serious wind conductor. This year’s symposium will feature Mallory Thompson, director of bands at Northwestern University, Stephen Peterson, director of bands at Ithaca College, and Mark Fonder and Henry Neubert, conductors of the Ithaca College Concert and Symphonic Bands. Together, these conductors/teachers will lead half-day lecture and discussion sessions with wind conductors at all levels. Topics will include repertoire; rehearsal techniques; national standards; setting and maintaining musical, personal, and educational standards; ideas for musical growth; score study; intonation; bands in the community; and the art of building good musical habits. In addition, participants will conduct a live ensemble each morning, focusing on refining their conducting and communication skills. Participants will be able to submit their own repertoire for approval by the faculty for inclusion in the morning conducting sessions. 2 credits, noncredit, or observer. Observers will not have podium time.
552-74000-74800-41
Suzuki Teacher Institute
The Ithaca College Suzuki Teacher Institute provides intensive study with guest instructors of the Suzuki method for violin and cello. All courses may be
registered with the Suzuki Association of the Americas. To register for the institute, participants must complete the registration form in the Suzuki Institutes brochure, which is available on request from the Office of Conference and Event Services; phone 607-274-3313. 1.5 credits or noncredit.
552-77900-41
Improvisation and Composition for the
School Music Teacher
This workshop is for music teachers and musicians who have limited or no background in composition or improvisation and who want to learn to teach both in accordance with the National Standards for Music Education and the New York State Framework for the Arts. The workshop, led by Ithaca College faculty members and eminent composers Dana Wilson and Louise Mygatt, will develop participants’ improvisation and composition skills, provide specific ways these skills can be taught to middle and high school students, and foster a lasting interest in and confidence about improvisation and composition. Because hands-on learning is emphasized, participants are encouraged to bring any instrument on which they feel comfortable performing. 2 credits or noncredit.
552-78000-41
The Healthy Musician: Injury Prevention and Intervention for Health Care
Providers and Musicians, Levels I and II
Designed for health care providers and musicians, this comprehensive program of seminars and hands-on workshops will focus on health and musical performance. To register, participants must complete the registration form in the Healthy Musician brochure, which is available on request from the summer sessions office. Use the request form in this catalog or phone 607-274-3143. 1 credit per level or noncredit.