Cinema and Photography Courses

222-10100 - - - Introduction to Film Aesthetics and Analysis - - - LA

An analysis of the cinematic techniques utilized throughout film history to create meaning, suggest mood, develop psychology of characters, and communicate ideas. Emphasis is on classic American and foreign films, from the silent period to the present day. 3 credits. (F-S)

222-10200 - - - American Film - - - LA

Focus is on sociological and historical factors in the evolution of the cinematic language of American films. Survey and analysis of films of representative American directors and genres. 3 credits. (IRR)

222-11000 - - - Film Production - - - NLA

Study of film production techniques. Theoretical knowledge and practical skills extended through detailed study of film editing, film stock, lighting, sound techniques, and film processing. Experimentation and practical application in the laboratory. Each student writes, produces, and edits one short film and one longer creative sound film. Prerequisites for nonmajors: sophomore standing. 3 credits. (F-S)

222-14100 - - - Introduction to Photography - - - LA

Introduction to photography, photographic processes, and aesthetics. Fundamentals of the art as well as film processing, enlargement, printing, camera handling, exposure, lighting, and composition. 4 credits. (F-S)

222-20100 - - - Film and Literature - - - LA

Analysis of relationships between literature and film focusing on the filmmaker's translation of verbal information to the screen. Topics include how the filmmaker transforms words into images and sound to establish setting and mood and convey characters' physical, emotional, and mental experiences and how the filmmaker or scriptwriter is influenced by political, sociological, and production factors in determining what aspects of the work of literature are conveyed in the new medium. Prerequisites: 222-10100. 3 credits. (IRR)

222-20310 - - - The Photograph in Exhibition - - - LA

Addresses the issue of photographic exhibition --- touching on considerations of context, scale, and installation --- as it affects the experience and meaning of images. Students will attend a series of photographic exhibitions and will critically evaluate the content of each through written papers and oral presentations. Prerequisites: Open only to B.S. cinema and photography - photography concentration students. Corequisite: 222-24000. 1 credit (S)

222-21200 - - - Experimental Film - - - NLA

An intermediate-level filmmaking course that examines film as a visual art form akin to painting and sculpture. Readings, lectures, and screenings are used to develop a basic context of relevant historical and theoretical issues, with emphasis on the structural, conceptual, and formalist aesthetics and analysis that characterize 20th-century modernist and postmodernist fine arts. Both written and filmmaking assignments are related to this material. Participation in a culminating public exhibition of work from the class is required. Prerequisites: 222-11000. 3 credits. (F)

222-22100 - - - Intermediate Filmmaking: Production - - - NLA

Intermediate-level study and practice of the preproduction and production phases of synchronous sound filmmaking. Utilizing 16 mm film and video materials, readings and demonstrations, hands-on practice sessions, and actual fiction and nonfiction film production assignments, students can expect to achieve technical proficiency in cinematography and lighting, sound recording, and production planning and management. Readings, screenings, and critiques encourage an environment of critical and applied aesthetic thinking within which the filmmaking activities can be both a form of intelligent inquiry and deeply felt expression. There is no prescribed sequence for 222-22100 and 222-22200; they can be taken in either order. Prerequisites: Sophomore standing or above, and 222-10100 and 222-11000. 4 credits. (F-S)

222-22200 - - - Intermediate Filmmaking: Postproduction - - - NLA

Intermediate-level study and practice of the postproduction and lab finishing phases of synchronous sound filmmaking. Utilizing 16 mm film and video materials, readings and demonstrations, hands-on practice sessions, and actual fiction and nonfiction film postproduction assignments, students can expect to achieve technical proficiency in picture editing, sound editing, editing assistance, and preparation of materials for sound mixing and lab finishing. Readings, screenings, and critiques encourage an environment of critical and applied aesthetic thinking within which the filmmaking activities can be both a form of intelligent inquiry and deeply felt expression. There is no prescribed sequence for 222-22100 and 222-22200; they can be taken in either order. Prerequisites: Sophomore standing or above and 222-10100 and 222-11000. 4 credits. (F-S)

222-23300 - - - Screenwriting - - - NLA

Introduction to the theory and practice of screenwriting. Topics include analysis and writing of feature-length, short, and experimental screenplays; adapting literary sources for the screen; the business of screenwriting; and computer formatting of screenplays. Prerequisites: Sophomore standing and 222-10100 or 221-13100. 3 credits. (F-S)

222-24000 - - - History of Photography - - - LA

Study of photography from its beginning to its emergence as an important means of communication and expression. Critical examination of the growth and relationship of the contribution of photography to the visual arts. The development of the medium is seen through the eyes of past and present masters who struggled to understand and perfect it. Prerequisites: Nonmajors must have at least sophomore standing. 3 credits. (S)

222-24200 - - - Intermediate Photography - - - NLA

Instruction in the use of large format view cameras and advanced black and white printing techniques; introduction to color photographic materials. Also introduces different modes of working and genres in the medium of photography. Students are asked to employ the various techniques to solve a variety of conceptual and aesthetic problems in photography. 4 credits. (F-S)

222-24600 - - - Digital Photography - - - NLA

Students explore the technical, creative, and conceptual challenges of computer based image production and manipulation. Prerequisites: 222-14100, 222-24200. 4 credits. (F-S)

222-25500 - - - Survey of Critical Methodologies in Mass Media - - - LA

Introductory overview of methodologies and approaches for the study of mass communications. Critical, historical, and social science methods are examined in terms of their framing of mass media, their philosophical approaches, their method of research, and their history and usage within the field of mass communications. Emphasis is on using these methods as analytical tools. Prerequisites: 221-12100 or 222-10100. 3 credits. (IRR)

222-30000 - - - Fiction Film Theory - - - LA

Close visual analysis of film, focusing on cinematographic and directorial aspects of film style. Detailed examination of specific films and various theories. Prerequisites: 222-10100 or 222-10200; 222-11000 or 221-13100; 222-23300. 3 credits. (F-S)

222-30100 - - - Nonfiction Film Theory - - - LA

Investigation of the social, historical, cultural, and aesthetic implications of nonfiction film through historical overview of various films. This course uses social theory, economic theory, ethnography, historiography, and documentary theory to explore the intersection of historical contexts and film movements. Prerequisites: 222-10100 or 222-10200; 222-11000 or 221-13100; 222-23300. 3 credits. (F)

222-30200 - - - Selected Topics - - - LA/NLA

Intensive exploration and analysis of a specific area of film study, allowing students to concentrate their study in an upper-level course. Depending on faculty research interests and student demand, this course may cover genres, periods, directors, and other cinematic conceptual frameworks. Prerequisites depend on topic; consult department. 3 credits. (IRR)

222-30300 - - - Images of Men and Women in Mass Media - - - LA

Investigation and assessment of the social construction of gender representations in mass media: feminist films, television, pornography, art photography, popular music, and fashion. As a survey of contemporary feminist cultural theory, social history, and criticism, this course analyzes mass culture as the site of mediation and articulation of discourses on women, men, and gender difference. Prerequisites: 222-23300 or 222-24000 or at least three level 2 courses in television-radio, art history, politics, or sociology. 3 credits. (S)

222-30400 - - - Photography: Selected Topics - - - NLA

Exploration and analysis of a specific area of photography. Topics vary based on student demand and on faculty expertise and research interest. Prerequisites: may vary depending on the topic --- refer to Course Offerings each semester, 222-14100, 222-24200. 4 credits. (F-S)

222-30500 - - - Contemporary Film Criticism - - - LA

Analysis and evaluation of contemporary films and criticism. Students trace current feature films to their artistic and cinematic roots and assess the value of the new offerings. At the same time they evaluate national criticism (not reviews) of the new offerings. Prerequisites: 222-10100; 222-11000 or 221-13100; 222-23300, 222-30000. 3 credits. (IRR)

222-31000 - - - Fiction Film Production - - - NLA

Individualized experience in producing and directing a narrative film project, designed to fit the student's specific background and interests. Students must complete one fiction film of their own and participate in the production of other students' work. Prerequisites: 222-11000, 222-22100, 222-22200, 222-23300, and 222-30000. 3 credits. (F-S)

222-31100 - - - Nonfiction Film Production - - - NLA

Intensive exploration of the relationship between the theory and practice of nonfiction filmmaking from conception to proposal to final production. Through short exercises and a final film, this course critically probes conceptual and production issues related to nonfiction theory. The course culminates with a student-designed exhibition of work. Prerequisites: 222-11000, 222-22100, 222-22200, 222-23300, and 222-30100. 3 credits. (S)

222-31500 - - - Film Directing - - - NLA

Examines the total concept of the director through lectures, film viewings, lab practice, critiques, and a directed project. Also examines the director's relationship to the producer, scenarist, cinematographer, gaffer, sound person, actors, editor, and musicians. Prerequisites, cinema majors: 222-11000 or 221-13100; 222-23300. Others: at least one television or drama directing course. 3 credits. (F-S)

222-31900 - - - Film Sound Postproduction - - - NLA

Through intensive practical film sound mixing experience, reading, and written papers, the student is enabled to do an individualized film sound postproduction project. Concepts and theory of sound design are covered. The skills and knowledge gained are portable to other postproduction media such as video, digital, and MIDI interface. Prerequisites: 222-10100, 222-11000, 222-22200; or 221-10100, 221-27100, 221-37100. 3 credits. (F-S)

222-33300 - - - Advanced Screenwriting - - - NLA

Advanced theory and practice of screenwriting; analysis of both classic and contemporary screenplays. Students complete a substantial portfolio of work in short and/or feature-length forms, and participate in written and oral critiques of each other's work. Prerequisites: 222-10100 or 221-13100; 222-23300. 3 credits. (F)

222-40100 - - - Advanced Film Theory - - - LA

Film philosophy course designed to develop awareness of various styles, including impressionism, expressionism, and surrealism, through an examination of formative, realist, and semiotic theories. Analysis of naturalism, fantasy, farce, and satire through European film classics. Mass appeal of these films is explored in relation to changing sociological and psychological trends in society. Prerequisites: 222-10100 or 222-10200; 222-11000 or 221-13100; 222-23300, 222-30000 or 222-30100; or senior standing and three courses in cinema and/or English. 3 credits. (S)

222-40200 - - - Photographers' Forum - - - LA

Addresses the continuities and disparities between photographic images and the intent of their makers. Students attend a series of photographers' presentations and critically evaluate each through written and oral presentations. Prerequisites: Senior standing, 222-24000, and one 300 level course in cinema, photography, or art history. Open only to B.S. cinema and photography students in the photography concentration. Corequisite: 222-4400 1 credit. (F)

222-41000 - - - Film Workshop - - - NLA

Individual experience preparatory to graduate study and to careers in film. Designed to fit the individual's background and interests. May include research projects, advanced film production, scenarios, or multimedia projects. Students may take a second semester of this course with permission of instructor and department chair. Prerequisites for cinema and photography majors: 222-11000, 222-22100, 222-22200, 222-23300, and 222-31000; or 222-10100 or 222-10200, 222-11000, 222-22100, 222-22200, 222-23300, 222-30100, and 222-31100. For others: 222-11000 or 221-13100; 222-23300, 222-31500. 3 credits. (F-S)

222-43300 - - - Screenwriting Workshop - - - NLA

A workshop in writing feature-length scripts for narrative film, preparatory for graduate study or a career in screenwriting, film, or television. Students complete a new feature-length script or, in rare instances with permission of the instructor, rewrite and polish a script begun elsewhere. Prerequisites are either option A: 222-10100, 222-23300, 222-33300; or option B: 221-13100, 221-33300 and 377-10600 or 377-10700; 377-23600 or (377-20500, 377-23600, 377-30500) or (377-20500, 377-23600, 377-33400). 3 credits. (Y)

222-44000 - - - Contemporary Photographic Issues - - - LA

Through lectures and discussions, the student is exposed to the changes and growth of the photographic medium. Photographic theories, criticism, classification, and aesthetics, as well as individual photographers are explored to develop an understanding of contemporary photography. Students may consider this study as an end in itself or take 222-44100 concurrently as a means to the production of more progressive photographs. Prerequisites: Senior standing, 222-24000, and one level 3 course in cinema, photography, or art history. 3 credits. (F)

222-44100 - - - Photography: Advanced Studio - - - NLA

Students bring together technical and conceptual competencies mastered in previous photo courses for the purpose of assembling a unified portfolio of work. Prerequisites: Senior standing, 222-14100, 222-24000, 222-44000. 4 credits. (F)

222-44300 - - - Photo Workshop - - - NLA

Individual experience preparatory to graduate study and to careers in photography. Designed to fit the individual's background and interests. May include research projects or advanced photography. Course participants are expected to complete an artist's essay that situates their work within the history of the medium and contextualizes its relationship to current intellectual and creative debates. Students may take a second semester of this course with permission of instructor. Prerequisites: Junior standing; 222-14100, 222-24200. 4 credits. (S)

222-49000 - - - Internship - - - NLA

Jointly supervised work experience with a cooperating institution in the field of cinema or photography, intended to motivate the intern toward professional growth through observation and participation, to provide opportunities to meet active professionals, and to stimulate career planning. Skill and academic knowledge put into practice. May be repeated. Prerequisites: Junior cinema and photography or film, photography, and visual arts majors or minors; completion of the Park School internship procedures. 1-6 credits. Total may not exceed 12 credits, including London and Los Angeles internships. (F-S)

222-49800 - - - London Communications Internship - - - NLA

See p. 439. 3 credits. (F-S)

222-49900 - - - Independent Study - - - LA

Intensive study of one of the following problems under the supervision of a faculty adviser: program evaluation; scriptwriting; production; programming; film and cinema studies; and contemporary issues in communications. Comprehensive research paper (and/or project) is required. Prerequisites: Junior cinema and photography or film, photography, and visual arts majors. 3 credits. (F-S)

All CATALOGS