Cinema and Photography Courses
222-10100 Introduction to Film Aesthetics and Analysis LA
An analysis of the cinematic techniques utilized throughout film history to create meaning, suggest mood, develop psychology of characters, and communicate ideas. Emphasis is on classic American and foreign films, from the silent period to the present day. 3 credits. (F-S)
222-10200 American Film LA
Focus is on sociological and historical factors in the evolution of the cinematic language of American films. Survey and analysis of films of representative American directors and genres. 3 credits. (IRR)
222-11000 Film Production NLA
Study of film production techniques. Theoretical knowledge and practical skills extended through detailed study of film editing, film stock, lighting, sound techniques, and film processing. Experimentation and practical application in the laboratory. Each student writes, produces, and edits one short film and one longer creative sound film. Prerequisites for nonmajors: Sophomore standing. 3 credits. (F-S)
222-14100 Introduction to Photography LA
Introduction to photography, photographic processes, and aesthetics. Fundamentals of the art as well as film processing, enlargement, printing, camera handling, exposure, lighting, and composition. 3 credits. (F-S)
222-20100 Film and Literature LA
Analysis of relationships between literature and film focusing on the filmmaker's translation of verbal information to the screen. Topics include how the filmmaker transforms words into images and sound to establish setting and mood and convey characters' physical, emotional, and mental experiences and how the filmmaker or scriptwriter is influenced by political, sociological, and production factors in determining what aspects of the work of literature are conveyed in the new medium. Prerequisites: 222-10100. 3 credits. (IRR)
222-21200 Experimental Film NLA
An intermediate-level filmmaking course that examines film as a visual art form akin to painting and sculpture. Readings, lectures, and screenings are used to develop a basic context of relevant historical and theoretical issues, with emphasis on the structural, conceptual, and formalist aesthetics and analysis that have characterized 20th-century modernist and postmodernist fine arts. Both written and filmmaking assignments are related to this material. Participation in a culminating public exhibition of work from the class is required. Prerequisites: 222-11000. 3 credits. (F)
222-22100 Intermediate Filmmaking: Production NLA
Intermediate-level study and practice of the preproduction and production phases of synchronous sound filmmaking. Utilizing 16 mm film and video materials, readings and demonstrations, hands-on practice sessions, and actual fiction and nonfiction film production assignments, students can expect to achieve technical proficiency in cinematography and lighting, sound recording, and production planning and management. Readings, screenings, and critiques encourage an environment of critical and applied aesthetic thinking within which the filmmaking activities can be both a form of intelligent inquiry and deeply felt expression. There is no prescribed sequence for 222-22100 and 222-22200; they can be taken in either order. Prerequisites: Sophomore standing or above, and 222-10100 and 222-11000. 4 credits. (F-S)
222-22200 Intermediate Filmmaking: Postproduction NLA
Intermediate-level study and practice of the postproduction and lab finishing phases of synchronous sound filmmaking. Utilizing 16 mm film and video materials, readings and demonstrations, hands-on practice sessions, and actual fiction and nonfiction film postproduction assignments, students can expect to achieve technical proficiency in picture editing, sound editing, editing assistance, and preparation of materials for sound mixing and lab finishing. Readings, screenings, and critiques encourage an environment of critical and applied aesthetic thinking within which the filmmaking activities can be both a form of intelligent inquiry and deeply felt expression. There is no prescribed sequence for 222-22100 and 222-22200; they can be taken in either order. Prerequisites: Sophomore standing or above and 222-10100 and 222-11000. 4 credits. (F-S)
222-23300 Screenwriting NLA
Introduction to the theory and practice of screenwriting. Topics include analysis and writing of feature-length, short, and experimental screenplays; adapting literary sources for the screen; the business of screenwriting; and computer formatting of screenplays. Prerequisites: Sophomore standing and 222-10100 or 221-13100. 3 credits. (F,S)
222-24000 History of Photography LA
Study of photography from its beginning to its emergence as an important means of communication and expression. Critical examination of the growth and relationship of the contribution of photography to the visual arts. The development of the medium is seen through the eyes of past and present masters who struggled to understand and perfect it. Prerequisites: Nonmajors must have at least sophomore standing. 3 credits. (S)
222-24200 Intermediate Photography NLA
Designed to improve and enhance the student's photographic ability by the use of the Zone System. Additional techniques are explored to broaden the student's understanding of the medium. This course also exposes the student to perceptual and aesthetic problems inherent in photography. Prerequisites: 222-14100. 3 credits. (F-S)
222-25500 Survey of Critical Methodologies in Mass Media LA
Introductory overview of methodologies and approaches for the study of mass communications. Critical, historical, and social science methods are examined in terms of their framing of mass media, their philosophical approaches, their method of research, and their history and usage within the field of mass communications. Emphasis is on using these methods as analytical tools. Prerequisites: 221-12100 or 222-10100. 3 credits. (IRR)
222-30000 Fiction Film Theory LA
Close visual analysis of film, focusing on cinematographic and directorial aspects of film style. Detailed examination of specific films and various theories. Prerequisites: 222-10100 or 222-10200; 222-11000 or 221-13100; 222-23300. 3 credits. (F-S)
222-30100 Nonfiction Film Theory LA
Investigation of the social, historical, cultural, and aesthetic implications of nonfiction film through historical overview of various films. This course uses social theory, economic theory, ethnography, historiography, and documentary theory to explore the intersection of historical contexts and film movements. Prerequisites: 222-10100 or 10200; 222-11000 or 221-13100; 222-23300. 3 credits. (F)
222-30200 Selected Topics LA/NLA
Intensive exploration and analysis of a specific area of film study, allowing students to concentrate their study in an upper-level course. Depending on faculty research interests and student demand, this course may cover genres, periods, directors, and other cinematic conceptual frameworks. Prerequisites depend on topic; consult department. 3 credits. (IRR)
222-30300 Images of Men and Women in Mass Media LA
Investigation and assessment of the social construction of gender representations in mass media: feminist films, television, pornography, art photography, popular music, and fashion. As a survey of contemporary feminist cultural theory, social history, and criticism, this course analyzes mass culture as the site of mediation and articulation of discourses on women, men, and gender difference. Prerequisites: 222-23300 or 222-24000 or at least three level 2 courses in television-radio, art history, politics, or sociology. 3 credits. (S)
222-30500 Contemporary Film Criticism LA
Analysis and evaluation of contemporary films and criticism. Students trace current feature films to their artistic and cinematic roots and assess the value of the new offerings. At the same time they evaluate national criticism (not reviews) of the new offerings. Prerequisites: 222-10100; 222-11000 or 221-13100; 222-23300, 222-30000. 3 credits. (IRR)
222-31000 Fiction Film Production NLA
Individualized experience in producing and directing a narrative film project, designed to fit the individual's specific background and interests. Students must complete one fiction film of their own and participate in the production of other students' work. Prerequisites: 222-11000, 222-22100, 222-22200, 222-23300, and 222-30000. 3 credits. (F-S)
222-31100 Nonfiction Film Production NLA
Intensive exploration of the relationship between the theory and practice of nonfiction filmmaking from conception to proposal to final production. Through short exercises and a final film, this course critically probes conceptual and production issues related to nonfiction theory. The course culminates with a student-designed exhibition of work. Prerequisites: 222-11000, 222-22100, 222-22200, 222-23300, and 222-30100. 3 credits. (S)
222-31500 Film Directing NLA
Examines the total concept of the director through lectures, film viewings, lab practice, critiques, and a directed project. The course also examines the director's relationship to the producer, scenarist, cinematographer, gaffer, sound person, actors, editor, and musicians. Prerequisites: Cinema majors, 222-11000 or 221-13100; 222-23300. Others, at least one television or drama directing course. 3 credits. (F-S)
222-31900 Film Sound Postproduction NLA
Through intensive practical film sound mixing experience, reading, and written papers, the student is enabled to do an individualized film sound postproduction project. Concepts and theory of sound design are covered. The skills and knowledge gained are portable to other postproduction media such as video, digital, and MIDI interface. Prerequisites: 222-10100, 222-11000, 222-22200; or 221-10100, 221-27100, 221-37100. 3 credits. (F,S)
222-33300 Advanced Screenwriting NLA
Advanced theory and practice of screenwriting; analysis of both classic and contemporary screenplays. Students complete a substantial portfolio of work in short and/or feature-length forms, and participate in written and oral critiques of each other's work. Prerequisites: 222-10100 or 221-13100; 222-23300. 3 credits. (F)
222-34000 Documentary Photography NLA
Combines theory and practice, emphasizing both an understanding of and an ability to produce documentary photographs. It examines historical contributions and contemporary trends, and emphasizes the extended document and new forms of documentary rather than the "news" photography covered in the photojournalism course. Prerequisites: 222-14100. 3 credits. (S)
222-34100 Color Photography NLA
Color photographic image making based on the study of color principles, materials, and processes. Color picture taking, including additive and subtractive color systems, making the internegative, color analyzers, filter, negative and positive film systems, enlarging, mounting, and finishing, and the creative application of the medium. Prerequisites: 222-14100, 222-24200 or portfolio. 3 credits. (F-S)
222-34200 Photojournalism NLA
Examination and practice of photojournalism as a communications medium. Emphasis on communication of words and pictures as the mission of the photojournalist. Discussion and production of picture stories and photo essays that persuade, inform, and reform. All aspects of producing photography for newspapers, magazines, and wire services are discussed and illustrated. Prerequisites: 222-14100 or portfolio. 3 credits. (IRR)
222-34300 Studio and the Constructed Image NLA
This production course is designed to develop competence in using artificial and studio lighting in producing fabricated or constructed images. In addition to practice in lighting and studio craft, the course emphasizes the process of idea formation and conceptualization for the production of constructed images. Issues of content, originality, and creativity are a significant part of this course. Prerequisites: 222-14100, 222-24200. 3 credits. (IRR)
222-34400 Advertising and Illustration Photography NLA
Examination and practice of the production of photographs that have a commercial value. Product photography, studio lighting, and portrait photography are stressed. The business of selling photographs is investigated. Prerequisites: 222-14100, 222-24200, 222-34300 or portfolio. 3 credits. (S)
222-40100 Advanced Film Theory LA
Film philosophy course designed to develop awareness of various styles, including impressionism, expressionism, and surrealism through an examination of formative, realist, and semiotic theories. Analysis of naturalism, fantasy, farce, and satire through European film classics. Mass appeal of these films is explored in relation to changing sociological and psychological trends in society. Prerequisites: 222-10100 or 222-10200; 222-11000 or 221-13100; 222-23300, 222-30000 or 222-30100; or senior standing and three courses in cinema and/or English. 3 credits. (S)
222-41000 Film Workshop NLA
Individual experience preparatory to graduate study and to careers in film. Designed to fit the individual's background and interests. May include research projects, advanced film production, scenarios, or multimedia projects. Students may take a second semester of this course with permission of instructor and department chair. Prerequisites for cinema and photography majors: 222-11000, 222-22100, 222-22200, 222-23300, and 222-31000; or 222-10100 or 222-10200, 222-11000, 222-22100, 222-22200, 222-23300, 222-30100, and 222-31100. For others: 222-11000 or 221-13100; 222-23300, 222-31500. 3 credits. (F-S)
222-43300 Screenwriting Workshop NLA
A workshop in writing feature-length scripts for narrative film, preparatory for graduate study or a career in screenwriting, film, or television. Students complete a new feature-length script or, in rare instances with permission of the instructor, rewrite and polish a script begun elsewhere. Prerequisites are either option A: 222-10100, 222-23300, 222-33300; or option B: 221-13100, 221-33300 and 377-10600 or 377-10700; 377-23600 or (377-20500, 377-23600, 377-30500) or (377-20500, 377-23600, 377-33400). 3 credits. (Y)
222-44000 Contemporary Photographic Issues LA
Through lectures and discussions, the student is exposed to the changes and growth of the photographic medium. Photographic theories, criticism, classification, aesthetics, and individual photographers are explored to develop an understanding of contemporary photography. Students may consider this study as an end in itself or take 222-44100 concurrently as a means to the production of more progressive photographs. Prerequisites: Senior standing, 222-24000, and one level 3 course in cinema, photography, or art history. 3 credits. (F)
222-44100 Photography: Advanced Studio NLA
Through production assignments based on current theories and trends in photography, this course helps students understand contemporary photography and develop their own photographic vision. Prerequisites: Senior standing, 222-14100, 222-24000, 222-44000; either 222-24200 and 222-34100 or 222-34200 or 24200; 222-34300, 222-34400. 3 credits. (F)
222-44300 Photo Workshop NLA
Individual experience preparatory to graduate study and to careers in photography. Designed to fit the individual's background and interests. May include research projects or advanced photography. Students may take a second semester of this course with permission of instructor. Prerequisites: Junior standing; 222-14100, 222-24200; and portfolio. 3 credits. (S)
222-49000 Internship NLA
Jointly supervised work experience with a cooperating institution in the field of cinema or photography, intended to motivate the intern toward professional growth through observation and participation, to provide opportunities to meet active professionals, and to stimulate career planning. Skill and academic knowledge put into practice. May be repeated. Prerequisites: Junior cinema and photography or film, photography, and visual arts majors or minors; completion of the Park School internship procedures. 1-6 credits. Total may not exceed 12 credits, including London and Los Angeles internships. (F-S)
222-49800 London Communications Internship NLA
See p. 313. 3 credits. (F-S)
222-49900 Independent Study LA
Intensive study of one of the following problems under the supervision of a faculty adviser: program evaluation; scriptwriting; production; programming; film and cinema studies; and contemporary issues in communications. Comprehensive research paper (and/or project) is required. Prerequisites: Junior cinema and photography or film, photography, and visual arts majors. 3 credits. (F-S)
