Equally at home at the keyboard or on the podium, Jeffrey Kahane has established an international reputation as a truly versatile artist, recognized by audiences around the world for his mastery of a diverse repertoire ranging from Bach, Mozart and Beethoven to Gershwin, Golijov and John Adams.
Since making his Carnegie Hall debut in 1983, Mr. Kahane has given recitals in many of the nation’s major music centers including New York, Chicago, Boston, San Francisco, Los Angeles and Atlanta. He appears as soloist with major orchestras such as the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra and the San Francisco Symphony and is also a popular figure at all of the major US summer festivals. Kahane is equally well-known for his collaborations with artists and chamber ensembles such as Yo-Yo Ma, Dawn Upshaw, Joshua Bell, Thomas Quasthoff and the Emerson and Takacs Quartets.
Jeffrey Kahane made his conducting debut at the Oregon Bach Festival in 1988. Since then, he has guest conducted many of the major US orchestras such as the New York and Los Angeles Philharmonics, Philadelphia Orchestra, Saint Paul Chamber Orchestra, and the Chicago, Detroit, St. Louis, Baltimore, Dallas and New World symphonies among others. Currently in his 18th season as Music Director of the Los Angeles Chamber Orchestra, Mr. Kahane concluded his tenure as Music Director of the Colorado Symphony in June 2010 and for ten seasons was Music Director of the Santa Rosa Symphony, where he is now Conductor Laureate. He has received much recognition for his innovative programming and commitment to education and community involvement with all three orchestras and received ASCAP Awards for Adventurous Programming for his work in both Los Angeles and Denver.
In addition to his programs and projects with LACO, recent and upcoming engagements include appearances at the Aspen, Mostly Mozart, Caramoor, Ravinia, Blossom and Oregon Bach festivals; recitals in Salt Lake City, Scottsdale and the Green Music Center in Santa Rosa; concerto performances with the Toronto, Houston, Milwaukee, Oregon, Nashville and Colorado symphonies and the St. Paul Chamber Orchestra; play/conducts for the third time in four seasons with the York Philharmonic as well as with the San Francisco, National, Detroit, Vancouver, Indianapolis and New Jersey symphonies and the Rochester Philharmonic; and conducting the New England Conservatory Symphony Orchestra in Boston, the Juilliard Orchestra at Lincoln Center and the National Repertoire Orchestra in Colorado.
Joseph Swensen currently holds the posts of Conductor Emeritus of the Scottish Chamber Orchestra, Professor of Music (violin) at the Indiana University Jacobs School of Music, and Founder/Director of Habitat4Music. Swensen was Principal Guest Conductor & Artistic Adviser of the Orchestre de Chambre de Paris from 2009-2012. He was Principal Conductor of the Scottish Chamber Orchestra from 1996-2005, and has also held positions at the Malmö Opera (2008-2011), Lahti Symphony, and the BBC National Orchestra of Wales. Swensen is a busy guest-conductor throughout the world (from Europe, to the USA, Japan and Australia), enjoying long-established relationships with the Orchestre National du Capitole de Toulouse (with whom Swensen recently completed a Mahler cycle, spanning ten years), London Mozart Players, Orquestra Sinfónica do Porto Casa da Música and Orchestre National de Bordeaux.
As principal conductor of the Scottish Chamber Orchestra, Joseph Swensen and the orchestra toured extensively in the US, UK, Europe and the Far East. They have performed together at the Mostly Mozart Festival in New York, Tanglewood and Ravinia Festivals, the BBC Proms, the Barbican and the Concertgebouw. Swensen and the orchestra have also made several recordings including a series of CDs for Linn records in which he is also featured as violin soloist. As Principal Conductor of the Malmö Opera in Sweden, Swensen was widely recognised as the driving force behind Malmö Opera's transformation into one of the most important opera companies in Sweden. During his tenure there, he conducted highly acclaimed productions of Salome, La Boheme, La Traviata, Macbeth, Vanessa, The Dialogues of the Carmelites, La Fanciulla del West, and Madama Butterfly, among others.
In addition to his conducting engagements, recently Joseph Swensen has returned to the concert platform as a violin soloist, performing the major violin concerti. Before launching his conducting career in the mid 1990s, Swensen enjoyed a highly successful career as a violin soloist appearing frequently with the world’s major orchestras and important conductors. As an exclusive recording artist with BMG Classics his recordings of the Beethoven and Sibelius concerti in particular (with André Previn and Jukka-Pekka Saraste respectively) were well-received and influential. Future concerti plans include performances with the Colorado Symphony, Los Angeles Chamber Orchestra and Haifa Symphony, amongst others. Chamber music has always been an essential part of Swensen’s music-making. He is a member of a violin-piano duo with the American pianist and conductor, Jeffrey Kahane, and a new piano trio with cellist Carter Brey: KahaneSwensenBrey.
Carter Brey was appointed Principal Cellist of the New York Philharmonic in 1996, and made his subscription debut as soloist with the Orchestra in May 1997, performing Tchaikovsky's Rococo Variations led by then-Music Director Kurt Masur. He has performed as soloist in subsequent seasons in the Elgar Cello Concerto with André Previn conducting; in William Schuman's A Song of Orpheus with Christian Thielemann; in the Barber Concerto with conductor Alan Gilbert; in Richard Strauss's Don Quixote with Music Director Lorin Maazel and with former Music Director Zubin Mehta; and in the Brahms Double Concerto with Concertmaster Glenn Dicterow and conductor Christoph Eschenbach, as well as with Lorin Maazel on the orchestra's 2007 tour of Europe. The Brahms was also performed at the Tanglewood Music Center in the summer of 2002 as part of Kurt Masur's final concerts as Philharmonic Music Director. (Mr. Brey most recently performed Boccherini's Cello Concerto in D with Riccardo Muti conducting in April of 2010.)
Carter Brey rose to international attention in 1981 as a prizewinner in the Rostropovich International Cello Competition. Subsequent appearances with Mstislav Rostropovich and the National Symphony Orchestra were unanimously praised. His awards include the Gregor Piatigorsky Memorial Prize, the Avery Fisher Career Grant, and Young Concert Artists' Michaels Award. He was the first musician to win the Arts Council of America's Performing Arts Prize. Mr. Brey has performed as soloist with many of America's major symphony orchestras.
His chamber music career is equally distinguished. He has made regular appearances with the Tokyo and Emerson string quartets as well as the Chamber Music Society of Lincoln Center, the Spoleto Festival in the U.S. and Italy, and the Santa Fe Chamber Music and La Jolla Chamber Music festivals, among others. He presents an ongoing series of duo recitals with pianist Christopher O'Riley; together they have recorded The Latin American Album, a disc of compositions from South America and Mexico (Helicon Records). His recording with Garrick Ohlsson of the complete works of Chopin for cello and piano was released by Arabesque in the fall of 2002 to great acclaim. A faculty member of the Curtis Institute, Mr. Brey appeared as soloist with the Curtis Orchestra at Verizon Hall and Carnegie Hall in April of 2009.