Health and Performance Institute For Musicians

The Healthy Musician: Injury Prevention and Intervention

A Workshop for Health Care Providers and Musicians

will be held at Ithaca College in Ithaca, New York, on June 17-21, 2005. It will consist of daily lectures, workshops, and demonstration performances which examine the physical aspects of music making. Treatment of music-related injuries will be discussed, though the emphasis will be on injury prevention.

Intended Audience:

  • Musicians and health care professionals interested in developing a Performing Arts Medicine program, or in participating in and learning from daily multidisciplinary analyses of abnormal musician movement and physical stresses.

Course Description: Designed for health care providers and musicians, this comprehensive three day program of seminars and workshops will focus on health and musical performance. A multidisciplinary faculty will examine the physical and mental factors that affects both the musician and performance and will discuss the care and prevention of music-related injuries. Participants will be able to choose sessions for health care providers or sessions for musicians. Areas of instruction will include basic anatomy and physiology, exercise prescription, posture, stress, mental training and practice techniques, common injuries, Feldenkrais exercises, Alexander technique exercises, learning styles (neuro-linguistic programming), splinting, and biofeedback. Musicians will demonstrate five major instrument groups (reeds, strings, keyboards, voice, and brass). Both a musician case study and a faculty recital will be given. musicians are invited to bring their instruments each day. The workshop is a noncredit offering: however, participants may enroll for one graduate credit in physical therapy or music for an additional fee.


Session Descriptions

 

Basic Physiology and Cumulative Trauma


An overview of the physiology of abnormal muscle tension, soft tissue injury, pain, inflammation, and healing in the context of music-related injuries. The information is presented in a practical and understandable fashion with musician examples/demonstrations.

 

Posture and Its Relation to Injury


An anatomical overview of both static and dynamic posture. The emphasis is on efficient biomechanical movement of the musculoskeletal system with practical examples involved in musical performance.Video taping of musician performance followed by analysis will be presented .

 

 

Common Injuries and Exercises


Common music-related injuries are discussed including carpal tunnel syndrome, tendinitis, muscle strains, ligament sprains, overuse injuries, cumulative trauma, nerve irritations, and arthritis. The care of acute and chronic injuries is described. Numerous rehabilitative stretching and strengthening exercises are demonstrated and discussed.

 

Instrumental Demonstration


Five basic instrumental groups will be discussed and demonstrated. Reeds, brass, strings, keyboard, voice.

 

Listening to Your Body


Through visualization, simple massage, and use of the constructive rest position developed by Lulu Sweigard, this workshop provides a means for quietly listening to your physical self. Listening to the body helps performers and non-performers recognize unnecessary muscle tension and thereby enables them to develop ways to release that tension. More efficient movement choices are available with this release which in turn improves alignment, carriage, and confidence in the presentation of the physical self. Increased body awareness is the goal. Morning dance movement classes are performed to help relax tension and to demonstrate efficient musculoskeletal movements. Alexander techniques will be presented and performed.

 

Feldenkrais Workshop


A major component of an artistic, musical performance is precise, effortless movement. The Feldenkrais method of movement education uses carefully planned movement sequences to improve and refine coordination, balance, posture, and sensitivity. The lessons are designed to be done by people at varying levels of physical ability and have wide-ranging benefits for all musicians.

 

Learning Styles Workshops


Through specifically designed activities and games, these workshops explore your unique process of access, storage, and retrieval of information in the brain. Your use of visual, auditory, and kinesthetic modalities will be determined as well. You will learn practice techniques to encourage a more holistic learning process striving for injury prevention, performance preparation, and enhancement of overall musicianship. This information is pertinent to teachers and performers alike and will be tailored to health care providers. (NLP, neurolinguistic processing)

Stress Intervention

Various stress intervention techniques will be discussed from a sports psychology background.

Splinting

Fundamentals of splinting, including materials and equipment will be presented.


The institute includes a distinguished multi-disciplinary faculty.


  • Nicholas Quarrier MHS, PT, OCS. Department of Physical Therapy, Ithaca College
  • Carol McAmis MM. Voice. School of Music, Ithaca College
  • Susan Bruckner MM. Piano. School of Music, USC at Santa Cruz
  • Lee Goodhew DMA. Bassoon. School of Music, Ithaca College
  • Eugenia Wacker-Hoeflin Ballet Performer in Residence
  • Debra Moree MM, Violin, Viola. School of Music, Ithaca College
  • Frank Campos MM, Trumpet. Scgool of Music, Ithaca College
  • Mindy Cozzolino, MS, OTR/L
  • Mary DePalma PhD, Psychology
  • Rachel Hogancamp, LMT, Massage therapy
  • Edward Sorel, PhD, Psychology
  • Larry Wallace, DO, Optometry

An Institute brochure including description, schedule, and registration information may requested from the Department of Continuing Education, Ithaca College, Ithaca, New York 14850, cess@ithaca.edu. Any course subject information may be requested by e-mail to Nick Quarrier (nquarrie@ithaca.edu) For other Continuing Education courses held at Ithaca College click here.

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