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The first people to view Kevin O'Neill's special effects
were his grade school pals in East Islip, New York. They also appeared in
his films, along with puppets and a model railroad track.
"When I was a kid in the '60s I wanted to know how Willis O'Brien
made King Kong move," says O'Neill. "I wanted to know how Ray
Harryhausen got skeletons to swordfight. So I read everything I could get
my hands on about special effects. I also got an old super 8 mm camera and
went to work on this model train track we had in our garage. I set up the
puppets on the railroad platform and shot them moving, one frame at a time.
I also convinced my neighborhood buddies to be in the films. Mostly they
just stood around looking up and saying, 'Oh, look at that,' but they didn't
seem to mind. Then I'd spend a week or two in my room figuring out how to
put it together, and we'd all get together in the basement for a screening."
These days the viewers of O'Neill's special effects number well in the
millions. It's his California-based company, Flat Earth Productions, that
creates the cyclopses and ghoulies and bug-eyed dragons that appear each
week in the MCA television series Hercules: The Legendary Journeys and Xena:
Warrior Princess. The popular shows are currently seen in more than 50 countries.
True, it may seem that O'Neill's boyhood home on Long Island is a long way
from a land where a trident-toting Neptune rises out of the waves and towers
over a cliff, but O'Neill is convinced that his early efforts were critical
steps in his development as a creator and supervisor of visual effects.
"What I learned from those neighborhood shots was that there are
so many little functions that go into making a movie," he says. "If
you can stand putting all those little things together, you can come to
understand how the bigger functions work. That process weeds out so many
people who are just casually motivated. It took a lot of obsession to deal
with that, and by the time I got to college, the discipline was there for
me."
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