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Bryan Horch '92 finds ASL and the language of films fascinatingly
similar.
by Jillian Bendig '03
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Horch and Maureen Kelly (left) receiving New York Festivals
Award for their Sex 411 video
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When Bryan Horch '92 bought his first camera as an adolescent,
he found comfort in watching life from the periphery, creating
his own reality through images. This love for seeing the world
through a lens led him to pursue a degree in cinema and photography
at Ithaca College.
But about halfway through his time at IC, Horch
felt the need to step out from behind the camera and relate to
people in a more
direct, person-to-person manner. Inspired by the words of his sociology
professors Jules Burgevin and Robert Heasley, he also felt compelled
to do something for the betterment of society. "I realized that
it was my turn to put myself in the picture," says Horch, "to reconnect
to the world by working with people."
He continued filmmaking after graduation, moving to Austin to
work on documentaries for PBS, but he sought something more. His
neighborhood was adjacent to the campus of the Texas Residential
School for the Deaf. While feeling like an outsider within this
environment, Horch was also fascinated by the highly visual and
unique nature of deaf culture and was inspired to take a course
in American Sign Language. He got a job at a local TV show, Austin
Deaf World, and decided to go back to school to take an ASL
interpreter training course. This led to work as an interpreter
for several educational institutions.
This new path was not as out of the way as
it might seem at first. "The
more American Sign Language I learned, the more I realized that
the language's structure and rules are very similar to the visual
language of film," says Horch. "ASL does not follow the linear
grammatical structure of English but uses signs, space, 'facial'
grammar, body movement, and representational hand shapes to show
relationships visually. As in film, you may start signing a story
in what looks like a wide 'establishing shot' and then continue
dialogue and actions in what would move in to become medium shots
or close-ups --- cutting back and forth. In ASL, this manifests
itself in body shifting to show different characters involved,
taking on the physical attributes of the people and things you
are conveying."
Horch was soon to find a way to blend his careers
as an ASL interpreter and a filmmaker. While interpreting at
the Rochester Institute
of Technology, which happens to house the National Technical Institute
for the Deaf, Horch worked in classes on digital and interactive
media. The information he absorbed there inspired him to return
to his first creative outlet. He opened his own digital video production
facility, putting his new knowledge to use, first as the codirector
and cowriter of the "Campaign for SexuaLiberty," a television commercial
that features, coincidentally, a cast of deaf and hearing actors.
The ad was created with the collaboration of Maureen Kelly, community
educator at Planned Parenthood of Tompkins County, and Horch's
best friend, filmmaker Marlene Rhein '92. The 30-second spot, which
emphasizes Planned Parenthood's mission of encouraging the "acceptance
of sexuality as a positive force that improves the quality of life," won
the 2002 Bronze Telly Award.
A more recent project is Sex 411, an
interactive CD-ROM that, as Horch says, "personalizes real issues that teens deal
with daily, giving useful information without being patronizing." Horch
decided to concentrate on educating teens about healthy sexuality
because he recalled how difficult it was to find important information
when he was a teen. His continued collaboration with Planned Parenthood
gives him the opportunity to give today's teens information he'd
found lacking. The video portion of Sex 411 received a Bronze
World Medal in the film and video category at the 2001 New York
Festivals and a Silver Award from the Worldfest-Houston International
Film Festival in 2002. The interactive version of Sex 411 also
earned recognition recently, taking the independent 2003 Communicator
Award of Distinction in the video/film/multimedia/interactive
CD-ROM category.
Since relocating to Amherst, Massachusetts, last year, Horch has
been using his national certification in ASL to interpret in a
wide spectrum of locations --- from a doctor's office to a college
classroom to an amusement park to a theatrical production.
He cites interpreting during a Maya Angelou
talk and poetry reading at the University of Massachusetts this
March as one of his most
memorable life experiences. "I was amazed by the fact that Maya
Angelou was as curious, interested, and honored to meet the interpreters
as we were to meet her. It seemed important for her to make a meaningful
connection with us, because we would become the conduit for the
spirit of her message," he says. "When she received a rousing standing
ovation from the audience, she called me and my team interpreter
over to take a bow with her. As interpreters, we are trained to
deflect all attention or recognition away from us. At first it
felt like it would be unprofessional to accept this invitation,
but as she looked toward me in such an honorific way, I realized
that this gesture was just all part of her humanistic message.
How could I reject that?"
Horch is also working on further digital video
and interactive media projects through his company, globoloco.
This fall he'll
travel to Namibia to document a project there of Global Partners,
an organization that engages local women's health affiliates around
the world to work toward sexual and reproductive health and rights.
And he is collaborating with former IC sociology professor Heasley
(now at Indiana University of Pennsylvania) on a video exploring "feminist
men who are critically examining issues around sexuality and intimacy."
So what's next? "I never know where I'm going to be from week
to week!" Horch laughs. "But to be doing creative work that makes
a difference in the world --- that's my dream." And his reality.
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