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Bruce Connal '79 was there at the beginning,
starting work as an associate producer at ESPN after graduation
--- a month after the network went on the air from its headquarters
in Bristol, Connecticut. He was hired by Chet Simmons, the first
president of ESPN and a family friend who had worked with Connal's
father at NBC Sports.
Ithacans at ESPN
These are among the alumni working at ESPN as of May. "But," says
Labay, who helped compile the list, "a new alum always
seems to pop up!"
Brian Bell 95 (graphics
operator, studio and technical operations)
Jason Blood 95 (audio operator, studio
and technical operations)
Mark Capalbo 00 (production assistant,
studio production)
Gene Caputo 79 (manager, studio
operations)
Mark Cassoni 83 (director,
studio production)
Bruce Connal 79 (producer,
remote production)
Brian Dailey 01 (special events
and promotion, ESPN the Magazine and
espn.com)
Michelle Dorsch 00 (production
assistant, studio production)
Laurie Greenberg 80 (vice president,
eastern region sales, ESPNABC Sports)
Miriam Greenfield 95 (producer,
ESPN Classic)
Geoff Herman 80 (coordinating
producer, studio production)
Steve Howard 92 (technical director,
studio and technical operations)
Aram Isbirian 92 (sales representative, ESPN the
Magazine)
Jason Jarvis 98 (production
assistant, studio production)
Josh Kreitzman 00 (production
assistant, remote production)
Rob Labay 93 (senior postproduction
Avid Symphony/online editor, studio and
technical operations)
Mike Lake 00 (coordinator,
commercial operations)
Tom McNeeley III 85 (producer,
remote production)
David B. Miller 80 (senior
coordinating producer, remote production)
Christopher Moore 80 (ESPN
Radio)
Matt Moran 99 (sales planner,
ESPN -- ABC Sports)
Julie Mariash Noble 83 (producer,
studio production)
Phil Orlins 86 (producer, remote
production)
Jesse Radford 00 (production
assistant, studio production)
Karl Ravech 87 (on-air talent)
Rob Ruane 97 (sales planner,
ESPN -- ABC Sports)
Barry Sacks 81 (senior coordinating
producer, studio production)
Mike J. Schwab 87 (director,
remote production)
Norris Scott 93 (director, event
marketing and sales, ESPN -- ABC Sports)
Bill Smallfield 94 (postproduction
online editor, studio and technical operations)
Lori Stefanski 90 (audio operator,
studio and technical operations)
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There was risk involved
with taking a job with a start-up. "I
was fortunate to have a job, but the future was uncertain with
a new company," Connal recalls. "The growth has been amazing since
that first year."
The company has indeed expanded from the early
days, when it featured obscure sports like Australian rules football.
ESPN currently generates
content for cable TV, radio, the Internet, and a print magazine.
It was purchased in 1984 by ABC, which in turn was gobbled up by
the entertainment giant Walt Disney in 1996. Connal now produces
NHL broadcasts. He has pretty much "done it all" as a remote producer
at games covered live by ESPN. "Stick, bat, and ball," he says. "I
have worked football, baseball, and hockey, as well as college
sports and everything from fencing to rugby." Over the years his
duties have included editing videotape, adding graphics to live
broadcasts, and supervising broadcast crews.
With Connal ensconced at the fledgling network,
he was able to give his college friend Barry Sacks '81 a boost
in launching his
own sports broadcasting career. "Bruce told me the company was
starting to expand, so I applied for a job and started working
there in 1984," says Sacks. "My first job was a temporary position
as a production assistant. I made $13,000 a year and loved every
minute of it." Sacks, who had dreams of being a famous sportscaster,
instead stuck with production and steadily worked his way up the
company ladder, from full-time production assistant to associate
producer to
senior coordinating producer. He worked on everything from
college baseball games to IHRA (International Hot Rod Association) drag races.
Sacks now oversees all of the studio shows on ESPN except NFL Tonight. His
responsibilities are broad, including control of the studio budget, personnel,
and content.
Like Connal and Sacks, many Ithaca grads have behind-the-
scenes jobs as producers, editors, and technicians. Some of them handle cameras
or edit video footage, while others write and do research for documentaries
and investigative pieces.
Miriam Greenfield '95 is a producer for the ESPN Classic
channel, which offers reruns of historic contests and frequently
shows profiles of sports legends and less-famous individuals who
have left their mark both on and off the field.
She readily admits that the Ithaca-ESPN link
was instrumental in her securing employment at the network. "I landed the job through
Rob [Labay '93], who was already here," she says. "There is a very
strong IC connection that helps graduates land jobs here. "Greenfield
first spent five years with production teams at the SportsCenter and
Sunday night NFL football broadcasts. While working for SportsCenter she
discovered that her true calling was "telling stories." She began
researching, filming, and editing --- digging deeper than the names
and numbers that typify most sports broadcasts. In 2000 Greenfield
moved to ESPN Classic, focusing on documentaries.
Rob Labay '93, who started with ESPN
right after graduating 10 years ago and is now a senior Avid
Symphony/online editor with
the company's Post Production Group, notes, "I can speak of many
Ithaca alums who have worked here, both past and present, and helped
to grow ESPN to what it is today. Not only have we helped graduating
students get their résumé in the right hands and
their foot in the door, but each day we work daily alongside and
with a strong network of fellow Ithaca alums. We seem to have an
Ithaca Bomber involved in every aspect of the vast company ESPN
has become today."
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