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Bruce Connal '79 was there at the beginning, starting work as an associate producer at ESPN after graduation --- a month after the network went on the air from its headquarters in Bristol, Connecticut. He was hired by Chet Simmons, the first president of ESPN and a family friend who had worked with Connal's father at NBC Sports.

Ithacans at ESPN

These are among the alumni working at ESPN as of May. "But," says Labay, who helped compile the list, "a new alum always seems to pop up!"

Brian Bell ’95 (graphics operator, studio and technical operations)
Jason Blood ’95 (audio operator, studio and technical operations)
Mark Capalbo ’00 (production assistant, studio production)
Gene Caputo ’79 (manager, studio operations)
Mark Cassoni ’83 (director, studio production)
Bruce Connal ’79 (producer, remote production)
Brian Dailey ’01 (special events and promotion, ESPN the Magazine and espn.com)
Michelle Dorsch ’00 (production assistant, studio production)
Laurie Greenberg ’80 (vice president, eastern region sales, ESPN–ABC Sports)
Miriam Greenfield ’95 (producer, ESPN Classic)
Geoff Herman ’80 (coordinating producer, studio production)
Steve Howard ’92 (technical director, studio and technical operations)
Aram Isbirian ’92 (sales representative, ESPN the Magazine)
Jason Jarvis ’98 (production assistant, studio production)
Josh Kreitzman ’00 (production assistant, remote production)
Rob Labay ’93 (senior postproduction Avid Symphony/online editor, studio and technical operations)
Mike Lake ’00 (coordinator, commercial operations)
Tom McNeeley III ’85 (producer, remote production)
David B. Miller ’80 (senior coordinating producer, remote production)
Christopher Moore ’80 (ESPN Radio)
Matt Moran ’99 (sales planner, ESPN -- ABC Sports)
Julie Mariash Noble ’83 (producer, studio production)
Phil Orlins ’86 (producer, remote production)
Jesse Radford ’00 (production assistant, studio production)
Karl Ravech ’87 (on-air talent)
Rob Ruane ’97 (sales planner, ESPN -- ABC Sports)
Barry Sacks ’81 (senior coordinating producer, studio production)
Mike J. Schwab ’87 (director, remote production)
Norris Scott ’93 (director, event marketing and sales, ESPN -- ABC Sports)
Bill Smallfield ’94 (postproduction online editor, studio and technical operations)
Lori Stefanski ’90 (audio operator, studio and technical operations)

There was risk involved with taking a job with a start-up. "I was fortunate to have a job, but the future was uncertain with a new company," Connal recalls. "The growth has been amazing since that first year."

The company has indeed expanded from the early days, when it featured obscure sports like Australian rules football. ESPN currently generates content for cable TV, radio, the Internet, and a print magazine. It was purchased in 1984 by ABC, which in turn was gobbled up by the entertainment giant Walt Disney in 1996. Connal now produces NHL broadcasts. He has pretty much "done it all" as a remote producer at games covered live by ESPN. "Stick, bat, and ball," he says. "I have worked football, baseball, and hockey, as well as college sports and everything from fencing to rugby." Over the years his duties have included editing videotape, adding graphics to live broadcasts, and supervising broadcast crews.

With Connal ensconced at the fledgling network, he was able to give his college friend Barry Sacks '81 a boost in launching his own sports broadcasting career. "Bruce told me the company was starting to expand, so I applied for a job and started working there in 1984," says Sacks. "My first job was a temporary position as a production assistant. I made $13,000 a year and loved every minute of it." Sacks, who had dreams of being a famous sportscaster, instead stuck with production and steadily worked his way up the company ladder, from full-time production assistant to associate producer to
senior coordinating producer. He worked on everything from
college baseball games to IHRA (International Hot Rod Association) drag races. Sacks now oversees all of the studio shows on ESPN except NFL Tonight. His responsibilities are broad, including control of the studio budget, personnel, and content.

Like Connal and Sacks, many Ithaca grads have behind-the- scenes jobs as producers, editors, and technicians. Some of them handle cameras or edit video footage, while others write and do research for documentaries and investigative pieces.

Miriam Greenfield '95 is a producer for the ESPN Classic channel, which offers reruns of historic contests and frequently shows profiles of sports legends and less-famous individuals who have left their mark both on and off the field.

She readily admits that the Ithaca-ESPN link was instrumental in her securing employment at the network. "I landed the job through Rob [Labay '93], who was already here," she says. "There is a very strong IC connection that helps graduates land jobs here. "Greenfield first spent five years with production teams at the SportsCenter and Sunday night NFL football broadcasts. While working for SportsCenter she discovered that her true calling was "telling stories." She began researching, filming, and editing --- digging deeper than the names and numbers that typify most sports broadcasts. In 2000 Greenfield moved to ESPN Classic, focusing on documentaries.

Rob Labay '93, who started with ESPN right after graduating 10 years ago and is now a senior Avid Symphony/online editor with the company's Post Production Group, notes, "I can speak of many Ithaca alums who have worked here, both past and present, and helped to grow ESPN to what it is today. Not only have we helped graduating students get their résumé in the right hands and their foot in the door, but each day we work daily alongside and with a strong network of fellow Ithaca alums. We seem to have an Ithaca Bomber involved in every aspect of the vast company ESPN has become today."

 

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A. Ozolins, Ithaca College Office of Publications, 29 July, 2003