| ANALYSIS SYMPOSIUM | |
| Joseph N. Straus | The Problem of Coherence in Stravinsky's Sérénade en la, pp. 3–10 |
| Marianne Kielian-Gilbert | Patterns of Repetition in the "Hymne" of Stravinsky's Sérénade en la: The Rhythmic Modeling of Musical Ideas, pp. 11–26 |
| Richard Hermann | Thoughts on Voice-Leading and Set Theory in "Neo-Tonal" Works: the "Hymne" from Stravinsky's Sérénade en la, pp. 27–54 |
| William L. Hays | On Voice-Leading and Syntax in the "Cadenza Finala" from Stravinsky's Sérénade en la, pp. 55–66 |
| REVIEW | |
| Eleanor Cory | Milton Babbitt, Words about Music. Edited Joseph N. Straus and Stephen Demski (Madison: U. Wisconsin Press, 1987), pp. 67–73 |