| ARTICLES | |
| Hedi Siegel and Arthur Maisel | Heinrich Schenker: Graphic Analysis of Brahm's Auf dem Kirchhofe, Op. 105, No. 4, pp. 1–14 |
| Ira Braus | Poetic-Musical Rhetoric in Brahm's Auf dem Kirchhof, Op. 105, No. 4, pp. 15–30 |
| Channan Willner | Chromaticism and the Mediant in Four Late Haydn Works, pp. 79–114 |
| Michael Cherlin | Hauptmann and Schenker: Two Adaptations of Hegelian Dialectics, pp. 115–132 |
| ANALYSIS SYMPOSIUM | BRAHM'S OP. 76, NO. 6 |
| Patricia Carpenter | A Problem in Organic Form: Schoenberg's Tonal Body, pp. 31–64 |
| Allen Cadwallader | Echoes and Recollections: Brahms's Op. 76, No. 6, pp. 65–78 |
| ARTICLE-REVIEW | |
| Taylor Greer | Music Theory: Anatomy of a Discipline. Nicholas Cook, A Guide to Musical Analysis (New York: George Braziller. 1987); Jonathan Dunsby and Arnold Whittall, Music Analysis in Theory and Practice New Haven: Yale U. Press, 1988); Ian Bent, Analysis (New York: W. W. Norton & Co.,, 1987, pp. 133–150 |