Theory and Practice
Index to Volume 17 (1992)

Severine Neff, Editor


ARTICLES
Arnold Schoenberg Two Fragments (ca. 1945): 1) Tonality, 2) Form, pp. 1–4
Robert D. Morris Modes of Coherence and Continuity in Schoenberg's Piano Piece, Op. 23, No. 1, pp. 5–34
Stephen Peles Continuity, Reference, and Implication: Remarks on Schoenberg's Proverbial "Difficulty," pp. 35–58
Godfrey Winham (1934-75) Schoenberg's Fourth String Quartet: Vertical Order of the Opening, pp.. 59–66
Elizabeth L. Keathley Schoenberg's Op. 16/IV: An Examination of the Sketches, pp. 67–84
Reynold Simpson New Sketches, Old Fragments, and Schoenberg's Third String Quartet, pp. 85–102
John R. Covach Schoenberg and the Occult: Some Reflections on the Musical Idea, pp. 103–18
REVIEWS  
Joseph Auner William Thomson, Schoenberg's Error (Philadelphia: U. Pennsylvania Press, 1991), pp. 119–30
Luisa Vilar-Payá Silvina Milstein, Arnold Schoenberg: Notes, Sets, Forms (Cambridge: Cambridge U. Press, 1992), pp. 131–39