| ARTICLES | |
| Arnold Schoenberg | Two Fragments (ca. 1945): 1) Tonality, 2) Form, pp. 1–4 |
| Robert D. Morris | Modes of Coherence and Continuity in Schoenberg's Piano Piece, Op. 23, No. 1, pp. 5–34 |
| Stephen Peles | Continuity, Reference, and Implication: Remarks on Schoenberg's Proverbial "Difficulty," pp. 35–58 |
| Godfrey Winham (1934-75) | Schoenberg's Fourth String Quartet: Vertical Order of the Opening, pp.. 59–66 |
| Elizabeth L. Keathley | Schoenberg's Op. 16/IV: An Examination of the Sketches, pp. 67–84 |
| Reynold Simpson | New Sketches, Old Fragments, and Schoenberg's Third String Quartet, pp. 85–102 |
| John R. Covach | Schoenberg and the Occult: Some Reflections on the Musical Idea, pp. 103–18 |
| REVIEWS | |
| Joseph Auner | Schoenberg's Error by William Thomson (Philadelphia: U. Pennsylvania Press, 1991), pp. 119–30 |
| Luisa Vilar-Payá | Arnold Schoenberg: Notes, Sets, Forms by Silvina Milstein (Cambridge: Cambridge U. Press, 1992), pp. 131–39 |