| ARTICLES | |
| Arnold Schoenberg | Four Fragments: The Concept of Form (after 1945), Tonality (after 1945), Warum neue Melodien schwer verständlich sind (1913), Der wichtigste Unterschied zwischen der alten Symphonie von Haydn bis Brahms und der neuen von Bruckner an (c. 1930), pp. 1–28 |
| Andrew W. Mead | "The Key to the Treasure...", pp. 29–56 |
| Michael Friedmann | Schoenberg's Waltz, Op. 23, No. 5: Multiple Mappings in Form and Row, pp. 57–86 |
| Jennifer Shaw | Rethinking Schoenberg's Composition
of Die Jacobsleiter, pp. 87–108 1993 MTSNYS Young Scholar Award |
| Murray Dineen | From the Gerald Strang Bequest at the Arnold Schoenberg Institute: Documents of a Teaching, pp. 109–26 |
| Howard Cinnamon | Tonal Elements and Unfolding Nontriadic Harmonies in the Second of Schoenberg's Drei Klavierstücke, Opus 11, pp. 127–70 |
| David Rosen | Reprise as Resolution in Verdi's Messa da Requiem |
| REVIEW | |
| Timothy L. Jackson | Arnold Schoenberg, the Composer as Jew by Alexander Ringer (Oxford: The Clarendon Press, 1990), pp. 171–8 |