| ARTICLES | |
| Robert S. Hatten | Interpreting Expression: the Adagio from the Hammerklavier, pp. 1–18 |
| Richard A. Kaplan | Tonality as Mannerism: Structure and Syntax in Richard Strauss's Orchestral Song "Frühling," pp. 19–30 |
| Wayne Petty | Cyclic Integration in Haydn's E-flat Piano Sonata
Hob. XVI:38, pp. 31–56 1994 MTSNYS Young Scholar's Award |
| Peter N. Schubert | A Multidetermined Moment in Milton Babbitt's "Three Cultivated Choruses," pp. 57–82 |
| ANALYSIS SYMPOSIUM | |
| John Roeder | Formal Functions of Hypermeter in the Dies Irae of Verdi's Messa da Requiem, pp. 83–104 |
| David Rosen | Reprise as Resolution in Verdi's Messa da Requiem, pp. 105–21 |
| REVIEW-ESSAY | |
| Walter Everett | An Update on the Current State of Scherkerian Research: Volumes Edited by Hedi Siegel and by Allen Cadwallader, pp. 121–52 |
| REVIEW | |
| Luanne R. Dragone | Sightsinging Complete by Bruce Benward and Maureen Carr; Foundations of Music and Musicianship by David Damschroeder, pp. 153–7 |