| ARTICLES | |
| Carl Schachter | Elephants, Crocodiles, and Beethoven: Schenker's Politics and the Pedagogy of Schenkerian Analysis, pp. 1–20 |
| David Carson Berry | Gambling with Chromaticism? Extra-Diatonic Melodic Expression in the Songs of Irving Berlin, pp. 21–86 |
| Eric Wen | Stripped of the G String: Bach's Air from the Suite No. 3 in D, pp. 87–98 |
| Don Traut | Displacement and its Role in Schenkerian
Theory, pp. 99–116 2001 MTSNYS Emerging Scholar Award |
| REVIEW–ESSAY | |
| Karl Braunschweig | Joel Lester. Bach's Works for
Solo Violin: Style, Structure, Performance (New York and Oxford: Oxford U. Press, 1999) and Laurence Dreyfus. Bach and the Patterns of Invention (Cambridge, Mass. and London: Harvard U. Press, 1996), pp. 117–40 |
| REVIEW | |
| John Rothgeb | Robert Snarrenberg. Schenker's Interpretive Practice (Cambridge and New York: Cambridge U. Press, 1997) , pp. 141–51 |