| ARTICLES | |
| Matthew Santa | Nonatonic Systems and the Parsimonious Interpretation of Dominant–Tonic Progressions, pp. 1–28 |
| Mark Sallman | Motives and the Motivic Paths of Anton Webern's Six Bagatelles for String Quartet, Op. 9, pp. 29–52 |
| Jeannie Guerrero | Multidimensional
Counterpoint and Social Subversion in Luigi Nono's Choral Works, pp. 53–78 2003 M.T.S.N.Y.S Emerging Scholar Award |
| Karl Braunschweig | Expanded Dissonance in the Music of J. S. Bach, pp. 79–114 |
| John Rothgeb | A Sentence Omitted from the English Translation of Schenker's Harmonielehre, pp. 115–122 |
| (RE)TRANSITIONS | |
| Oswald Jonas | Heinrich
Schenker and Great Performers Translated with an Introduction by Alan Dodson, pp. 123–36 |
BOOK REVIEW |
| Edward Latham | Philip Rupprecht. Britten's Musical Language (Cambridge: Cambridge U. Press), pp. 137–46 |