Theory and Practice Index to Volume 29 (2004)

David Carson Berry, Editor
Wayne Petty, Reviews Editor


ARTICLES  
Eric McKee Extended Anacruses in Mozart's Instrumental Music, pp. 1–38
James S. MacKay Musical Proportion and Formal Function in Classical Sonata Form: Three Case Studies From Late Haydn and Early Beethoven, pp. 39–68
Ryan McClelland Brahms's Capriccio in C Major, Op. 76, No. 8: Ambiguity, Conflict, Musical Meaning, and Performance, pp. 69–94
Yosef Goldenberg "Negative Texture" and the Prolongation of Seventh Chords, pp. 95–124
Ken Stephenson "A Hit by Varèse": Idiomatic Syntax in the PC Counterpoint of Three Songs by Chicago, pp. 125–34
(RE)TRANSITIONS  
Carl Friedrich Weitzmann

The Augmented Triad (1853), trans. Janna Saslaw
    Introduction, pp. 133–37
    Dual language edition, pp. 138–228

REVIEWS
Carl Wiens Joseph N. Straus, Stravinsky's Late Music (Cambridge: Cambridge University Press, 2001), pp. 229 –40
REVIEW SYMPOSIUM  
Robert Pascall, Phyllis Weliver, and Patrick McCreless

Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (New York: Oxford University Press, 2003), pp. 241–66