| NEWS, ANNOUNCEMENTS, REPORTS | |
| Program | Seventh Annual Meeting of MTSNYS, pp. 2–3 |
| ARTICLES | |
| Michael Collier | The Rondo Movements of Beethoven's Concerto No. 3 in C Minor, Op. 37 and Brahms's Concerto No. 1 in D Minor, Op. 15: A Compartive Analysis, pp. 5–16 |
| Harold F. Lewin | Some Basic Concepts for Determining the Combinational Properties of Twelve-Tone Set Segments, Part I. pp. 17–28 |
| Walt Multer | Solmization and Musical Perception, pp. 29–51 |
| AURAL PERCEPTION | |
| John Hanson | Questionnaire: Sight-Singing Procedures, pp. 52–4 |
| BOOK REVIEW | |
| Harold F. Lewin | Robert Cogan and Pozzi Escot: Sonic Design. The Nature of Sound and Music, pp. 55–8 |
No. 2 |
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| NEWS, ANNOUNCEMENTS, REPORTS | |
| ARTICLES | |
| Robert Gauldin | A Pedagogical introduction to Set Theory, pp. 3–14 |
| Philip Hough | The Tonal Structure of Bartók's Autumn Tears, Opus 16, No. 1, pp. 15–20 |
| RESPONSES | |
| Louis Martin | Solmization: Getting the Facts Straight, pp. 21–24 |
| Joseph A.Surace | "Transposable Do" for Teaching Aural Recognition of Diatonic Intervals, pp. 25–27 |
| BOOK REVIEW | |
| John Rothgeb | Eugene Narmour: Beyond Schenkerism. The Need for Alternatives in Music Analysis, pp. 28–42 |
| NEW BOOKS AND PERIODICALS compiled by Richard Brooks |
pp. 43–45 |
| MTSNYS MEMBERSHIP LIST, 1977–1978 | pp. 46–50 |