| ARTICLES | |
| Mark Anson-Cartwright | Concepts of Closure in Tonal Music: A Critical Study, pp. 1–17 |
| Norman Carey | An Improbably Intertwining: An Analysis of Schumann's Kreisleriana I and II, with Recommendations for Piano Practice, pp. 19–50 |
| Gretchen C. Foley | Sum Squares and Pentagrams: Two New Tools for Perlean Analysis, pp. 51–68 |
| Frank Samarotto | Determinism. Prediction, and Inevitability in Brahms's Rhapsofy in E-flat, op. 119, no. 4, pp. 69–99 |
| John Turci-Escobar | Softening the Edges: Cadential Attentuation in Gesualdo's Six Books of Madrigals, pp. 101–35 |
| Jeffrey Kresky | Some Unusual Tonic Six-Fours, pp. 137–51 |
| (RE)TRANSITIONS | |
| Charlotte M. Cross | Two Undated Manuscripts from Schoenberg's Gedanke Project |
| REVIEWS | |
| David Gagné | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study, by David W. Beach, pp. 203–12 |
| Graham G. Hunt | Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, by James Hepokoski and Warren Darcy, pp. 213–38 |