Several examples in this issue were printed at the wrong
resolution. For better resolution of the examples, please go to http://theory.esm.rochester.edu/perle
| ARTICLES | |
| Dave Headlam | Introduction, pp. 1–47 |
| Personal Statements | |
| Paul Lansky | Lessons with George Perle, pp. 49–52 |
| Douglas Jarman | pp. 53–54 |
| Elliott Antokoletz | George Perle: Man, Composer, and Theorist, pp. 55–63 |
| Steven L. Rosenhaus | An Introduction to George Perle, pp. 65–71 |
| Q & A: Violin Concerto by Steven L. Rosenhaus; Interview by Dave Headlam, pp. 73–80 | |
| Elliott Carter | p. 81 |
| Leonard Bernstein | p. 83 |
| William Bolcolm | p. 85 |
| Henri Dutilleux | For George Perle, pp. 88–89 |
| Patricia Spencer | pp. 91–92 |
| Steve Dibner | pp. 93–94 |
| William Theophilus Brown | p. 95 |
| Daniel Gustin | p. 97 |
| Bethany Beardslee | p. 99 |
| Leon Botstein | On George Perle, pp. 101–02 |
| David Pitt | pp. 103–06 |
| Edward Smaldone and Bruce Saylor | George Perle: The Man and the Musician, p. 107 |
| DEDICATED COMPOSITIONS | |
| Charles E. Porter | Happy Birthday to George Perle on his 90th, pp. 111–12 |
| Steven L. Rosenhaus | Etude for George Perle, pp. 113–14 |
| Bruce Saylor | Bells: In Honor of George Perle, pp. 115–17 |
| ANALYTICAL ESSAYS | |
| Elliott Antokoletz | From Bartók to Perle: A New Concept of Tonality and Means of Progressions as Shown in No. 5 of George Perle's Thirteen Dickinson Songs, pp. 121–37 |
| Charles E. Porter | Interval Cycles and Unisons in George Perle's Sonata a Quattro, pp. 139–52 |
| Mark DeVoto and George Perle | George Perle on the Subtleties of Inversional Complementarily: A Note by Mark DeVoto and George Perle, pp. 153–57 |
| Philip Stoecker | "Composing with Symmetries": Perle's First Bagatelle for Solo Piano, pp. 159–70 |
| Gretchen C. Foley and Susan Levine | Choreographing Perle: An Inter-Disciplinary interpretation of Perle's String Quartet No. 5, pp. 171–80 |
| Michael Callahan | Mapping Sum-and-Difference Space: Parallels Between Perle and Lewin, pp. 181–217 |
| David Schober | Practical Methods for Identifying Perle Arrays, pp. 219–32 |
| Christopher Winders | Toward a Structural Ordering Within George Perle's Twelve-Tone Tonality, pp. 233–47 |
| Patricia Hall | Berg's Büchner Text and the Genesis of Form, pp. 249–71 |
| Vasili Byros | Competing "Windows of Order": The Dialectics of System-Construction and Withdrawal in Berg's Sonata for Piano, Op. 1, pp. 273–328 2006 Patricia Carpenter Emerging Scholar Award |
| Benjamin Wadsworth | A Model of Dialectical Process in Berg's Opus 1 Piano Sonata, pp. 329–56 |
| FINALE | |
| George Perle | Improvisation, pp. 359–362 |
| Contributors | pp. 363–64 |