| ARTICLES | |
| Michael Baker | A Case for Interruption at Scale Degree ^3, pp. 1–24 |
| Benjamin Givan | Swing Improvisation: A Schenkerian Perspective, pp. 25–56 |
| Jared C. Hartt | Tonal and Structural Implications of Isorhythmic Design in Guillaume de Machaut's Tenors, pp. 57–94 |
| Robert Morris | Some Musical Applications of Minimal Graph Cycles, pp. 95–117 |
| Christopher Segall | K-Nets, Inversion, and Gravitational Balance, pp. 119–45 2009 Patricia Carpenter Emerging Scholar Award |
| Kate Soper | Orchestration in the Chamber Works of Ruth Crawford Seeger, pp. 147–67 2008 Patricia Carpenter Emerging Scholar Award |
| REVIEWS | |
| Nathan John Martin | Beethoven's "Tempest" Sonata: Perspectives of Analysis and Performance, ed. Pieter Bergé. Leuven Studies in Musicology, vol. 2 (Leuven: Peeters, 2009), pp. 169–89 |
| Philip Stoecker | Miguel A. Roig-Francolí Understanding Post-Tonal Music and Anthology of Post-Tonal Music (New York: McGraw-Hill Higher Education, 2008), pp. 191–205 |
| CONTRIBUTORS | p. 207 |