| ARTICLES | |
| Peter Franck | Reaching Over and Its Interaction with Invertible counterpoint at the Tenth, pp. 1–33 |
| Jason Hooper | Heinrich Schenker's Early Conception of Form, 1895–1914, pp. 35–64 2010 Patricia Carpenter Emerging Scholar Award |
| Stanley V. Kleppinger | Reconsidering Pitch Centricity, pp. 65–109 |
| Daphne Leong | Generalizing Syncopation: Contour, Duration, and Weight, pp. 111–50 |
| Brendan McConville | A"Simple Composition" of Charles Wuorinen: Isomorphism, Self-Similarity, and Nesting in Cello Variation, pp. 151–77 |
| Mark Richards | Viennese Classicism and the Sentence Idea: Broadening the Sentence Paradigm, pp. 179–224 |
| REVIEW | |
| Paul Moravitz Sherrill | Robert O. Gjerdingen, Music in the Galant Style (New York: Oxford University Press, 2007), pp. 225–35 |
| CONTRIBUTORS | p. 237 |