Suggested Readings
|
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Agawu, V. Kofi |
African Rhythm: A Northern Ewe Perspective. Cambridge: Cambridge University Press, 1995. |
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Austerlitz, Paul |
Merengue: Dominican Music and Dominican Identity. Philadelphia: Temple University Press, 1997. |
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Averill, Gage |
"Caribbean Music: Haiti and Trinidad." In Music in Latin American Culture: Regional Traditions, ed. John Schecter. New York: Schirmer, 1999. |
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Barlow, William |
Looking Up at Down: The Emergence of Blues Culture. Philadelphia: Temple University Press, 1989. |
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Barlow, William, and Cheryl Finley |
From Swing to Soul: An Illustrated History of African American Popular Music from 1930 to 1960. Washington, D.C.: Elliott and Clark, 1994. |
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Béhague, Gerard |
Hector Villa-Lobos: The Search for Brazil's Musical Soul. Austin: Institute of Latin American Studies, University of Texas at Austin, 1994. |
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Berrian, Brenda F. |
Awakening Spaces: French Caribbean Popular Songs, Music, and Culture. Chicago: University of Chicago Press, 2000. |
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Boyer, Horace Clarence |
How Sweet the Sound: The Golden Age of Gospel. Washington, D.C.: Elliott and Clark, 1995. |
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Broughton, Viv |
Black Gospel: An Illustrated History of the Gospel Sound. New York: Blandford Press, 1985. |
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Daniel, Yvonne |
Rumba: Dance and Social Change in Contemporary Cuba. Bloomington: Indiana University Press, 1995. |
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DeVeaux, Scott |
The Birth of Bebop: A Social and Musical History. Berkeley: University of California Press, 1997. |
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Epstein, Dena J. |
Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Urbana: University of Illinois Press, 1977. |
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Gerard, Charley, with Marty Sheller |
Salsa! The Rhythm of Latin Music. Crown Point, Ind.: White Cliffs, 1989. |
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Guilbault, Jocelyne |
Zouk: World Music in the West Indies. Chicago: University of Chicago Press, 1993. |
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Harrison, Daphne Duval |
Black Pearls: Blues Queens of the 1920s. New Brunswick, N.J.: Rutgers University Press, 1990. |
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Hill, Donald R. |
Calypso Calaloo. Gainesville: University Press of Florida, 1993. |
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Kazadi wa Mukuna |
"The Changing Role of the Guitar in the Urban Music of Zaire." World of Music 36, 2 (1994): 62-72. |
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Keil, Charles |
Urban Blues. Chicago: University of Chicago Press, 1991. |
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Manual, Peter, ed. |
Essays on Cuban Music: North American and Cuban Perspectives. Lanham, Md.: University Press of America, 1991. |
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McDaniel, Lorna |
The Big Drum Ritual of Carriacou: Praisesongs in Rememory of Flight. Gainesville: University Press of Florida, 1998. |
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Morgan, Thomas L., and William Barlow |
From Cakewalks to Concert Halls: An Illustrated History of African American Popular Music from 1895 to 1930. Washington, D.C.: Elliott & Clark, 1993. |
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Pacini Hernandez, Deborah |
Bachata: A Social History of a Dominican Popular Music. Philadelphia: Temple University Press, 1995. |
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Potash, Chris, ed. |
Reggae, Rasta, Revolution: Jamaican Music from Ska to Dub. New York: Schirmer, 1997. |
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Ramsey, Guthrie P. |
Race Music. Berkeley: University of California Press and Center for Black Music Research, forthcoming. |
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Schuller, Gunther |
The History of Jazz, vols. 1 and 2. New York: Oxford University Press, 1968 and 1989. |
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Titon, Jeff Todd |
Early Downhome Blues, 2nd ed. Chapel Hill: University of North Carolina Press, 1994. |
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Warner, Keith Q. |
Kaiso! The Trinidad Calypso. Washington, D.C.: Three Continents Press, 1985. |
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Warner-Lewis, Maureen |
Yoruba Songs of Trinidad. London: Karnak House, 1994. |
Individuals with disabilities requiring accommodation should contact the Office of Affirmative Action at 607-274-3909 (voice), 607-274-1767 (TDD), or bleblanc@ithaca.edu as much in advance of the event as possible.
Andrejs Ozolins, Office of Publications, 8/22/2000