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Patricia ZimmermannProfessor |

“Les LeVeque et la numerisation du desir,” avec Sharon Lin Tay, dans Des Mouvants Indices du Monde, texts reunis par Jean Luc Lioult (Aix en Provence, France: Universite de Provevence, 2008) 153-166.
“Public Domains: Engaging Iraq through Experimental Digitalities,” Framework: The Journal ofFilm and Video, Fall 2007, 66-83.
“Silent Film Exhibition and Performative Historiography, “ co-authored with Anna Siomopoulos, The Moving Image: The Journal of the Association of Moving Image Archivists, Fall 2006, 109-111
“Remixing and Revising Within Our Gates,” The Moving Image: the Journal of the Associationof Moving Image Archivists, Fall 2006, 119-124.
“Imaginative Speculation,” Vectors , www.vectorsjournal.org, December/Jan 2007
“Throbs and Pulsations: Les LeVeque and the Digitalization of Desire,” with Sharon Lin Tay,Afterimage, vol.34, no.3, 2006, 31-45.
“Reverse Engineering: Dismantling and Customizing for the New Global Media Ecology,”Afterimage, vol. 34, nos. 1 and 2, 2006, 66-72.
“Just Say No: Negativland’s No Business,” Afterimage, vol 34, nos. 1 and 2, 2006, 66-72.
“No Business in Negativland,” Cultural Studies, 20, 2/3 March/May, 2006, 321-340.
“The Cambodian Digital Imaginary Archive: Moving between East and West,” Media Asia: AnAsian Communications Quarterly, Vol. 32, no. 2, 2005, 95-105.
“Beyond CNN: China and NGO Media Practices,” Afterimage vol33, no. 2, 15-16.
“Imbedded Public Histories,” Afterimage, vol.33, no.5, 51-52.