Master of Music in Performance

  • Elements of technical preparation such as scales and arpeggios. Sight reading skills.
  • One complete sonata (e.g. F. Sor, M. Giuliani, C. Tedesco, M. Torroba, J. Turina, M. Ponce, etc.) or a complete baroque suite (i.e. J.S. Bach, S.L. Weiss, etc.)
  • Two or three additional works representing various periods of standard repertoire (Baroque, Classical, Romantic, or Contemporary). These may be theme and variations, single movements of longer works, or selected concert etudes.

All other degrees

  • Elements of technical preparation such as scales and arpeggios. Sight reading skills.
  • Three works representing various periods of standard repertoire (Baroque, Classical, Romantic, or Contemporary).