Saturday, 1:45-5:00
Kilbourne Hall
Ambiguity
Joseph Dubiel (Columbia University), Chair
Oscillation and Undecidability Mozart's Sonata in F Major (KV 280),
Adagio:
A Double Reading (Line Rhythm Motive)
," Martin Scherzinger (Columbia University)
The Ambiguity Principle: A New Paradigm for Tonality
, Deborah Stein (New England Conservatory of Music)
Poetic and Musical Permutation in Mallarmé, Debussy and Boulez
, Marianne Wheeldon (Yale University)
The Play Behind the Scenes: On Segmentation and Instrumental Interaction in Elliott Carter's String Quartet No. 2
, Dora A. Hanninen (University of Michigan)
Program