Saturday, 1:45-5:00
Kilbourne Hall

Ambiguity

Joseph Dubiel (Columbia University), Chair

• Oscillation and Undecidability Mozart's Sonata in F Major (KV 280), Adagio: A Double Reading (Line Rhythm Motive)," Martin Scherzinger (Columbia University)
  
• The Ambiguity Principle: A New Paradigm for Tonality, Deborah Stein (New England Conservatory of Music)
  
• Poetic and Musical Permutation in Mallarmé, Debussy and Boulez, Marianne Wheeldon (Yale University)
  
• The Play Behind the Scenes: On Segmentation and Instrumental Interaction in Elliott Carter's String Quartet No. 2, Dora A. Hanninen (University of Michigan)

Program