Sunday, 8:45-10:45
Kilbourn Hall

Opera

Elizabeth West Marvin, (Eastman School of Music) chair

• Isolde's Transfiguration and Wagner's Second Thoughts, Robert Gauldin (Eastman School of Music)
  
• Urlinie and Urziel: Tonal and Dramatic Closure in Britten's Peter Grimes, Edward D. Latham (Yale University)
  
• I's, V7's and Expressive Modulations: Stravinsky's Use of Tonal Conventions to Project Theatrical Distance, Chandler Carter (Mannes College/Hofstra University)

Program