| Saturday, 4 April | ||
|
8:15–9:00 am |
Registration — Monroe Lounge | |
9:00 am–12:00 pm |
Post-Tonal Pitch Structures | |
|
9:00 am –10:30 am |
Topics in American Vernacular Music | |
|
10:30 am –12:00 pm |
Analysis and Performance | |
| 12:00–1:15 pm | Lunch | |
| 1:15–2:45 pm |
Pedagogical Topics | |
1:15–2:45 pm |
Tonal Traditions in Twentieth-Century Art Music | |
3:00–5:00 pm |
Plenary Session: Music Theory in the Conservatory |
|
5:15–5:30 pm |
Business Meeting | |
5:30–6:30 pm |
Reception—New Academic Building 010 | |
8:00 pm |
Concert: American Chamber Music Ensemble (Monroe 142) | |
| Sunday, 5 April | ||
9:00–9:30 am |
Registration | |
9:30 am –12:30 pm |
Topics in Eighteenth- and Nineteenth-Century Music | |
9:30 am–11:00 am |
Rhythm in Popular Music | |
10:15 am–11:45 am |
Software Demonstration: The Musical Ear | |
11:00 am–12:30 pm |
Music in Eastern Europe | |
12:30–1:30 pm |
MTSNYS Board Meeting | |
Program Committee: William Rothstein, chair; Norman Carey (ex officio, CUNY), Mark Anson-Cartwright (Queens College), Edward Klorman (Juilliard School of Music), Elizabeth West Marvin (Eastman School of Music), and Hedi Siegel (Mannes).