| NEWS, ANNOUNCEMENT, REPORTS | |
| Murray Dineen | Symposium on Music Theory in Canada Today, pp. 2–3 |
| James M. Baker | New England Conference of Music Theorists, p. 4 |
| Patrick Miller | Symposium on the Life and Music of Heinrich Schenker, p. 5 |
| Program | The Fifteenth Annual Meeting of MTSNYS, pp. 6–8 |
| Judy Lochhead | Phenomenological Approaches to the Analysis of Music, pp. 9–13 |
| ARTICLES | |
| Felix Salzer (trans. Mark Stevens) | The Significance of the Ornaments in Carl Philipp Emanuel Bach's Keyboard Works, pp. 15 –42 |
| Esther Cavett-Dunsby | Schenker's Analysis of the Eroica Finale, pp. 43–52 |
| ARTICLE-REVIEW | |
| Michael Cherlin | Why We Got into Analysis and What to Get Out of It, pp. 53–74 |
| REVIEW | |
| Christopher Hatch | Richard Wagner, Prelude and Transfiguration from Tristan and Isolde (Norton Critical Score), edited by Robert Bailey, pp. 75–86 |
| INDEX | Theory and Practice, Volumes 7–10 (1982-85), pp. 87–92 |