Theory and Practice
Index to Volume 31 (2006)

Philip Stoecker, Editor
Joseph Kraus, Reviews Editor


ARTICLES  
Byron Almén Modes of Analysis, pp. 1–38
José António Martins Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from Serenade in A, pp. 39–64
2004 Patricia Carpenter Emerging Scholar Award
Samuel Ng The Hemiolic Cycle and Metric Dissonance in the First Movement of Brahms's Cello Sonata in F Major, Op. 99, pp. 65–96
2005 Patricia Carpenter Emerging Scholar Award
Jonathan R. Pieslak Conflicting Analytical Approaches to Late Nineteenth- and Early Twentieth-Century Tonal Music: An Archaeological Examination, pp. 97–132
Deborah Rifkin Making it Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music, pp. 133–58
(RE)TRANSITIONS  
Denys Bouliane Ligeti's Six Études pour Piano: The Fine Art of Composing Using Cultural Referents, trans. Anouk Lang
    Introduction, pp. 159–62
    English text, pp. 163–208
REVIEWS  
Ryan McClelland Peter Smith, Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet (Bloomington: Indiana U. Press, 2005), pp. 209–224
Elizabeth West Marvin Deborah Stein, ed., Engaging Music: Essays in Music Analysis, (New York: Oxford U. Press), pp. 225–238