| NEWS, ANNOUNCEMENTS,
REPORTS |
|
| ARTICLES |
|
| David H. Smyth |
The Music of Pierrot Lunaire:
An Analytic Approach, pp. 5–24 |
| Harold F. Lewin |
Schoenberg's Pierrot Lunaire:
The Rhythmic Relation between Sprechstimme and Instrumental
Writing in "Eine blasse Wäscherin," pp. 25–39 |
| Faun S. Tanenbaum |
The Sarabande of J.S. Bach's Suite
No. 2 for Unaccompanied Violoncello, BWV 1008: Analysis and Interpretation, pp. 40–56 |
| RESPONSE |
|
| Larry Laskowski |
Symmetrical Design and Its Relationship
to Voice Leading, pp. 57-65 |
| BOOK REVIEW |
|
| Robert Morris |
Charles Wuorinen: Simple Composition, pp. 66–72 |
No. 2
|
| NEWS, ANNOUNCEMENTS, REPORTS |
|
| Program |
Tenth Annual Meeting of MTSNYS |
| Saul Braverman |
Obituary: Justine Shircliff, pp. 5–6 |
| ARTICLES |
|
| Jurgen Thym |
Text-Music Relationships in Schumann's
"Frühlingsfahrt," pp. 7–25 |
| John Rothgeb |
Chopin's C-Minor Nocturne, op. 48,
No. 1, First Part: Voice Leading and Motivic Content, pp. 26–31 |
| Judy Lochhead |
Musical Reference: A Source of Meaning
in the First Movement of the "Eroica," pp. 32–9 |
| BOOK REVIEW |
|
| John Hanson |
Edward Aldwell and Carl Schachter,
Harmony and Voice Leading, Workbook, Volume 1, pp. 40–7 |
| MTSNYS MEMBERSHIP LIST, 1980 |
pp. 48–52 |