| Year |
Scholar |
Paper |
| 2012 |
Rodney Garrison |
Unraveling Heinrich Schenker’s Ideas of Musical ‘Unfolding’” |
| 2011 |
Drew F. Nobile |
"Form and Voice Leading in Early Beatles Songs" |
2010 |
Jason Hooper |
"Heinrich Schenker's early Theory of Form, 1895–1914" |
2009 |
Christopher Segall |
"K-Nets, Inversion, and Gravitational Balance" |
| |
Noam Sivan – Honorable Mention
|
"Teaching Improvisation: The Creative Application of Theory in Performance" |
2008 |
Katharine Soper |
"Making Many From Few: Orchestration in the Chamber Works of Ruth Crawford Seeger " |
2007 |
J. Daniel Jenkins |
“Schoenberg's Concept of ruhende Bewegung” |
2006 |
Vasili Byros |
“'Tonal oder Atonal?': Interval Cycles, Whole-Tone Tonality, and the Dialectics of Musical Process in Berg's Piano Sonata, op. 1” |
2005 |
Sam Ng |
“The Hemiolic Cycle and Metric Dissonance in Brahms's Cello Sonata in F, op. 99” |
2004 |
José António Martins |
"Stravinsky's Harmonic Practice and the Guidonian Space" |
2003 |
Jeannie Guerrero |
"Multidiminsional Counterpoint and Social Subversion in Luigi Nono's Choral Music" |
2002 |
Adam Ricci |
"A Classification Scheme for Harmonic Sequence" |
2001 |
Don Traut |
"Displacement and its Role in Schenkerian Theory" |
2000 |
Stephen Slottow |
"Fifths and Semitones: A Ruggles Compositional Model and its Unfoldings" |
1999 |
Daphne Leong |
"Metric Conflict in the First Movement of Bartók's Sonata for Two Pianos and Percussion" |
1998 |
Matthew Santa |
"Choral Tone Centers in Stravinsky's Neoclassical Music" |
1995 |
Wayne Alpern |
"Aggregates, Assassination, and an 'Act of God': The Impact of the Murder of Archduke Ferdinand Upon Webern's Op. 7 No. 3" |
1994 |
Wayne Petty |
"Cyclic Integration in Haydn's E-flat Piano Sonata Hob. XVI:38" |
1993 |
Jennifer Shaw |
"Rethinking Schoenberg's Composition of Die Jacobsleiter |