Ithaca College Will Make You Ready
With a vibrant community, professors who inspire, and the hands-on experience you need to dive into your field with confidence.
Big decisions often have unexpected benefits. When Johanna Pan left her native Singapore to attend Ithaca College for theatrical production arts, a key factor in her decision to come to IC was the financial aid she was able to secure. Once here, she discovered she was enrolled in one of the most respected programs in the country.
“I like to call Ithaca a lucky accident because I didn’t realize how good the program was before I got here. And for that I’m very grateful,” she says.
In the theatrical design concentration, Johanna applied classroom lessons in costume and scenic design to Ithaca College Theatre’s yearly productions. As a senior, she was the costume designer for two period pieces: Translations, set in 1830s Ireland, and An Enemy of the People, in 1880s Norway.
Johanna researched the kinds of fabrics that were made at the time, how clothing was layered, and even the way seasons and climate in those locations dictated wardrobe choices. By understanding these factors, she and the production staff could apply them to their portrayals on the modern stage.
"What a lot of people don't realize about theatre design is that there are certain rules we create as a team. What does a short skirt mean as opposed to a long skirt? What are the colors of the world? What does this color mean to everyone across the board, and how are we going to use that to portray something? The audience may not notice them consciously, but the picture as a whole and what it presents is noticeable.”
Johanna spent a semester at the Ithaca College London Center, where she attended over 50 performances—from the West End to small pubs—for class and her own enjoyment.
“Seeing so much theatre in a country that loves theatre so much helps you understand why we do what we do. You are reminded of the magic when you’re not working on a show because you’re not involved and can just appreciate someone else's work.”
Johanna took on several internships and jobs after graduation, including one with Beautiful: The Carole King Musical that had her traversing New York City’s clothing and fabric stores. The show is scheduled to open on Broadway in December 2013. She also plans to return to Singapore to fulfill a commitment she made to the Singaporean theatre industry when she received a scholarship from the Singapore National Arts Council. She then plans to head back to New York City to pursue a master’s degree in fine arts and rejoin the theatre scene.
“I want to live in New York City. I love the sheer amount of musicals that happen there and the sheer amount of theatre.”
Pianists make music with keyboards. Engineers use mixing consoles. Thanks to IC’s sound recording technology program, Shalini Gandhi ’11 can do both.
“I was a pre-med student in Australia when I decided sound recording was something I really wanted to do and America would be the best place to learn it,” Shalini said. “So I took two years off, worked and saved, and made my way to Ithaca.”
Fortunately, Shalini was already an accomplished pianist, because at IC, studying audio engineering requires majoring in performance.
“After doing all the things performance majors do, I had to find free time to get into the studio. As it turned out, I was quite happy recording until four in the morning because recording was my passion.”
The console Shalini spent four years training on—while being paid as an Ithaca College recording services engineer—was the same she uses now, working for WireWorld Studio in Nashville. Plus, the people who taught her, like her current colleagues, were seasoned professionals, among them Alex Perialas, a Grammy-nominated audio engineer and producer with 131 albums to his credit.
“In addition to teaching us the technology,” Shalini says, “Alex gave us insights into the business end of the industry.”
Perialas, whose recording credits include Brian Wilson and Johnny Dowd, helped secure Shalini a curriculum-required internship, at a studio in Nashville, and introduced her to a former colleague, who offered her a job the summer before her senior year.
“This industry isn’t one where you just wave your degree and expect people to hire you,” Shalini says. “Alex’s connections got my foot in the door, and from there, I showed people that IC taught me how things work, not just how to make things work.”
Knowing how to perform didn’t hurt either.
“As a student, I complained about spending so much time sight singing and playing the piano, but my boss is an engineer through and through, and he’s found me useful because I can talk knowledgeably to musicians. Fortunately IC faculty pushed me and expected a lot out of me.”
>> More on this story: Recording Services of the School of Music
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