Ithaca College Will Make You Ready
With a vibrant community, professors who inspire, and the hands-on experience you need to dive into your field with confidence.
Alex Canovas and his friends at Ithaca College agree: there’s something above and beyond about the School of Music.
“One of the top things we say is how we out-do the competition, in terms of performance and professionalism,” Alex says. “Our résumés, our headshots, our collegiality are at a totally different level than students we see from other schools.”
The talented tenor plunged right in freshman year when he was assigned two lead roles in the ensembles for two different operas being performed that year.
“Jumping into a real-world situation at 18 years old was kind of scary,” he remarks. “At the end of the day though, it was definitely one of the most rewarding experiences I’ve had.”
Countless more performances followed, including the lead role in the opera L’Orfeo, and performances with the Ithaca College Choir in Philadelphia and at the Strathmore Center for Music (home to the National Philharmonic and Baltimore Symphony Orchestra) outside Washington, D.C.
Now the IC senior has graduate school in his sights. And with graduate-level music programs often wanting applicants to have a certain amount of professional experience behind them, Alex is confident Ithaca College has provided just that.
“The level of experience we have as students is definitely of a professional caliber,” he says.
Editor's Note: In August 2012, Alex began an exciting position as a coordinator for OPERA America's brand new National Opera Center, located in Manhattan. The Center is the first specially designed facility for the opera industry. It will feature a double-height audition hall with excellent acoustics, recording equipment, and other facilities for industry business. For more information, visit www.operaamerica.org.
For me, musical performance has always been about the visible and tangible effects of art on an audience. Touring with Ithaca College ensembles gave me those experiences locally and in major cities like New York, Boston, and Washington, D.C. But a chance encounter at IC is what really set me on my current path.
When I auditioned and got placed in the Women’s Chorale, I was wowed by the level of instruction and guidance I received from director Janet Galván – all before I was an official music major. Her support continued even beyond my time at IC, but to have it during that first year really spoke to how much she cared about her students.
The thing is, she wasn’t the only faculty member like that. I could always drop by a professor’s office and say, “I’m having a hard time with this, please help me brainstorm.”
Through Janet’s summer conducting workshops, I became familiar with the Young People’s Chorus of New York City. A year after I graduated IC, I found out they were looking for conductors. In fact, it was during one of those workshops that I approached YPC’s artistic director and said, “Hey, I’m interested in conducting for you.”
Now I’m the one with the baton, and I get to share the artistic experiences I always sought with the next generation of young vocalists, and inspire them to find their own paths.
>> More on this story: Women's Chorale
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