An Ecosystem of Ideas

By Andrew Utterson, Associate Professor of Screen Studies, Ithaca College, March 8, 2022
Bridging Worlds and Imagining New Ones

FLEFF 2019

What does it mean for a festival to be so dynamically located between the life of a college and the myriad worlds—or environments—beyond? 

Across its 25 years, the unique intersection of public spheres that is the Finger Lakes Environmental Film Festival (FLEFF) has fostered countless dialogues, discussions, and debates that any single one of the worlds it brings together would struggle to envision let alone engage.

Put simply, in the terms of the annual theme of its 25th anniversary gathering, FLEFF has always been a site of 'Entanglements.' 

It is a forum that celebrates and creates spaces for the interconnection of people and perspectives, whose own professional worlds are so often shorn from one another even while their lived environments coalesce into much larger ecosystems. It is these environments, too, as well as the more familiar definitions of ecological concern, that are brought into focus each year through FLEFF.

Such is the case with each screening, workshop, interview, discussion, and countless other events that I have had the opportunity to attend in my own ten years of participation, since arriving at Ithaca College as a film professor a decade ago.

Andrew Utterson

Andrew Utterson, Associate Professor of Screen Studies, Ithaca College.

As just one example among the many that remain vivid in my mind: a daylong 'FLEFF Lab' incubator of ideas in 2019 (the most recent festival in embodied form prior to the global pandemic) on that year's special theme of 'Disruptions.' Democratized by the primacy of ideas as shared language and purpose, the distinctions of filmmaker, scholar, artist, archivist, etc. gave way to the day's discussions of 'Disruptive Media,' 'Disruptive Borders,' and 'Disruptive Environments,' each as nodes of connection in an exhilarating exchange of interlocutors from around the globe.

Agnostic to field, and beyond the formats of either the traditional film festival or academic conference, FLEFF instead foregrounds the creative combustion of ideas that results from their relocation. 

This is the unique pleasure and potential of FLEFF for me: following ideas wherever they may lead has the power to transform the festival into a site of communal exchange, with each of us equal participants in a community of shared conversations and experiences, modeling a new environment in this bridging of worlds

FLEFF: A DIFFERENT ENVIRONMENT