I grew up in a small town on the plains of western Oklahoma near the banks of the Canadian River, near where my father's parents and grandparents homesteaded early in the last century. Winters are cold and dry there, but relatively short; springs are exciting with their new growth and the frequent tornadic eruptions; summers hot and dry of course, but the evening sunsets are spectacular, as if painted by an overzealous child artist; and autumns, once past the heat of summer, are long and mild--every season lots of sun, breath-taking winds, and of course enormous skies.
I took a B.A. in English and Philosophy from Oklahoma State University in '79 and then worked odd jobs for a while--dishwasher, waiter, liquor store manager, social services secretary in Boulder, Colorado--before returning to school to study more literature, philosophy, and creative writing. But that took a while too, before providing a settled life, a year in this graduate school, another in that. Then came Ithaca and I fell in love with it, particularly with the M.F.A. program at Cornell, happy to be studying with Archie Ammons and Robert Morgan. I taught at Cornell for two more years after graduation and then roamed around the Northeast teaching at Hudson Valley community colleges and then at Rensselaer Polytechnic Institute--before coming back to Ithaca to take a position in the Writing Program here and settle down with my family. I'm proud to have been a part of our faculty in the 90s that molded a bona fide Department from our Program, and to now offer a B.A. as interesting and varied in its offerings as ours is.
I've discovered over the years that my ultimate goal in teaching is to instill in my students an intellectual generosity, I would like to think primarily by modeling it, to be less interested in espousing knowledge than in encouraging a particular attitude toward knowledge, expansive and open-armed. I've taught a variety of courses: a freshman seminar on the philosophy and science of sex and love; personal essay writing; poetry writing; a 300-level Poetics course that covers the history of ideas from Thales to Foucault through the lens of creative writing theory; a senior seminar workshop on the practice, history, and theory of traditional poetry forms; and three honors seminars, one on the philosophy of sex and love, another on the pursuit of happiness, and another on Western concepts of the self since the Renaissance.
In addition to publishing poems, I'm publishing essays these days, most recently--2022--a piece in Journal of Narrative Politics, and most recently before that a book-length piece on the pursuit of happiness, in the 2019 proceedings for the conference on Arts, Humanities, Social Sciences & Education, in Hawaii. "The Sick Rose: Some Problems with the Self" came out in the spring '18 issue of Writing on the Edge, an essay that explains the history of the role of the self mostly as it has played out in Western literature since the Renaissance. An autobiographical essay came out in Journal of Narrative Politics in fall '16, and appearing a few weeks earlier was an epilogue I was invited to write, to Narrative Global Politics: Theory, History and the Personal in International Relations. My essay "Thoughts on the Metaphysics of American White Racism" appeared that same year in Journal of Narrative Politics. In 2013, my personal essay "Compliance" was published in South Loop Review and was a top-three finalist in Missouri Review's 2013 essay contest.
My last three books are from Cayuga Lake Books: A Long Slow Climb, 2021, sixty-three sonnets that take as their inspiration Dante's Divine Comedy; elisions, 2019; and What May Be Lost, 2014. My first collection, A Warm Trend, Swallow's Tale Press, won a national manuscript competition in 1989. Among other journals, my poems have appeared in Bomb, december, Cloudbank, Bellevue Literary Review, The Chattahoochee Review, West Branch, Northwest Review, Postmodern Culture, The Fiddlehead, The Antigonish Review, The Pedestal, Rosebud, Nimrod, and Sentence: a Journal of Prose Poetics.
Areas
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poetry writing
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essay writing
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literary and creative writing theory
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intellectual history
Degrees
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M.F.A. Poetry, Cornell University, 1984
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B.A. English and Philosophy, Oklahoma State University, 1979
Poetry Books
- A Long Slow Climb, Cayuga Lake Books. 2021.
- elisions, Cayuga Lake Books. 2019.
- What May Be Lost, Cayuga Lake Books. 2014
- Poems, 1986-1998, Water Street Press. 2003.
- A Warm Trend, Swallow's Tale Press, winner of their national poetry manuscript contest. 1989.
Interview on A Long Slow Climb
https://cayugalakebooks.com/cory-brown-2/
Review of elisions
http://www.americanmicroreviews.com/elisions-by-cory-brown
Some Journal Publications
Poems
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LitMag (2023, "Giant Sequoias"--finalist in the 2023 Anton Chekhov Award for flash fiction)--forthcoming
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Mudfish 24 (2023, "Boomerang")--forthcoming
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Mudfish 23 (2023, "What We Know")
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Nimrod International Journal of Prose and Poetry (2023, "What I'd Thought" and "To Live")
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The Comstock Review (2023, "Something Strange")
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Cloudbank 16 (2022, "But Here's the Thing")
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Cloudbank 15 (2021, "On the Terrace of the Wrathful" and "On the Terrace of the Envious")
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From the Fingerlakes: A Memoir Anthology (2021, "When I am Asked" and "The Verbalist")
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Bellevue Literary Review 40 (2021, "To See How the Snow Blanketed the Trees")
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december magazine (2021, "Friday the 13th")
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Reflecting Pool: Poets and the Creative Process. Codhill Press (2018, "The Most Difficult Thought" and "Experience-Dependent Neuroplasticity")
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Crosswinds Poetry Journal (2018, "The Tyranny of Narrative")
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Arroyo Literary Review (2011, "Bats" and "Cool Hand Luke")
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Nimrod International Journal of Prose and Poetry (2011, "Not Yet"; 2008, "Dream")
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The Antigonish Review (2011, "Fairgrounds" and "The Nazi Helmet"; 2007, "The Heifer" and "Storm Cellar")
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Sentence: a Journal of Prose Poetics (2010, "Ghosts")
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Postmodern Culture (volume 6 #2: "Early Spring" and "Equinox"; volume 6 #3: "My Name in Water," "Adumbration," "Offering," and "Depth Perception"; volume 8#1: "First Communion," "There Was a Time," "Summer Question," and "Stars of Desire")
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Farmer's Market (vol.10 no.2, 1994, "Rhetoric of Senses")
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Bomb (1995, issue 51: "Kneeling at the Edge," a suite of poems)
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Bomb (1992, issue 40: "Fireflies," "All Yours," and "Nature of the Sun")
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Pedestal Magazine ("Ars Poetica")
Essays
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Journal of Narrative Politics, summer 2022 ("A Body in Time")
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Proceedings for the Conference on Arts, Humanities, Social Sciences & Education, 2019 ("The Ultimate Goal: Reflections on the Philosophy and Science of the Pursuit of Happiness")
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Writing on the Edge, spring 2018 ("The Sick Rose: Some Problems with the Self")
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Journal of Narrative Politics, fall 2016 ("Brutality of Desire")
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Narrative Global Politics: Theory, History and the Personal in International Relations, summer 2016 ("Dancing Modernity")
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Journal of Narrative Politics, spring 2016 ("Thoughts on the Metaphysics of American White Racism")
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South Loop Review, 2013 ("Compliance: death and dying in America"--this essay was a finalist in Missouri Review's 2013 essay competition)
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NCIIA Conference Proceedings, 2010 ("Sustainability Maximizes Innovation: the use of life cycle assessment tools to enhance the design process"--this essay was co-written with design theorist Xanthe Matychak. It was presented at two conferences: in 2012, the 16th annual National Collegiate Inventors and Innovators Alliance, San Francisco, California; and in 2010, the American Anthropological Association's annual conference, New Orleans, Louisiana.)
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Diner, 2007 ("On Thinking")
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The International Journal of Technology, Knowledge, and Society, 2006 ("Notes on the Role of the Arts in a Technocratic Culture"--I presented this essay at two conferences: The 2nd International Conference on Technology, Knowledge, and Society, in Hyderabad, India; and the 22nd Annual Meeting of the International Association for Science, Technology and Society, in Baltimore.)