On Entanglements

By Gina Marchetti, Professor, Film scholar, and Director, Center for the Study of Globalization and Cultures, University of Hong Kong, February 27, 2022
Giving Visionaries a Platform

Screening From Within

Screening from Within (Yi Cui, 2018)

The word “entanglement” usually evokes negative connotations of entrapment, complicated liaisons, and trying associations. However, I have been entangled in a very positive way with FLEFF over the 25 years of its existence. 

When I moved to Ithaca in 1998, I embraced the opportunity to contribute to FLEFF as a pioneering effort to bring the best of environmental film to Upstate New York. 

To give a sense of FLEFF’s importance as a film festival innovator, Washington, D.C.’s Environmental Film Festival in the Nation’s Capital, which bills itself as the “premier” environmental film festival in the United States, marks its thirtieth anniversary in 2022. So, FLEFF, celebrating 25 years, started just five years after America’s first. 

FLEFF’s location in Ithaca, a college town surrounded by the striking natural beauty of the Finger Lakes, provides the ideal location to bring filmmakers, experimental media artists, cultural critics, environmental activists, scholars, and emerging leaders together to watch, reflect, and debate the concerns brought vividly before them on screen. 

While festivals dedicated to ethnographic film, wildlife, human rights, and a range of similar topics predate DCEFF and FLEFF, the focus on the environment and the ways in which we are all entangled through the natural world with politics, economics, culture, and the arts speaks to a moment when film provides a new way of picturing human life on planet earth. 

Filmmakers working across fiction and nonfiction modes demonstrate that we need to see the planet and political action more creatively if we are to address environmental crises such as global warming, pandemics, pollution, deforestation, water mismanagement, food shortages and urban sprawl.

CSGC

FLEFF gives these visionaries a platform and its continuing success attests to the fact the festival has contributed to the circulation and appreciation of ecocritical media.

FLEFF overlaps with twenty-five years of momentous changes in China. FLEFF has consistently placed on filmmakers’ entanglements with China’s environmental movements from the opposition to the construction of the Three Gorges Dam to protests against the destruction of traditional housing to make way for lucrative real estate development.

Chinese filmmakers bear witness to the massive transformation of the environment as the world’s factory, trash dump, coal furnace, rare mineral mine, and cotton farm. The global supply chain entangles us all, and China appears in most of the clothes, toys, electronics, and other commodities that line local shelves in the United States.

As the director of the Center for the Study of Globalization and Cultures (CSGC) in Hong Kong, which is partnering with FLEFF for a second year, I am honored to be part of FLEFF for this momentous anniversary celebration. In partnership with CSGC this year, FLEFF will showcase films by two outstanding women filmmakers, Yi Cui and Zeng Jinyan, who make films about the relationship between China’s rural and urban environments and its people. I look forward to lively discussion as we consider the entanglements of gender and the environment in contemporary China.

FLEFF: A DIFFERENT ENVIRONMENT