The Voice Area in the School of Music at Ithaca College presents the Fall 2021 Voice Intensive. Designed in the spirit of collaboration and exchange, it is intended to add depth and breadth to the traditional vocal curriculum. Voice Intensive seeks to promote the School of Music’s mission to educate students who transform the human condition through the art and practice of music. All voice and musical theatre students must attend a minimum of two of the recital and masterclass events from the menu below. All voice lessons and Rep Classes will be cancelled during the week of October 18th to make room for your participation in Voice Intensive.

Please check-in to your chosen events using the QR code displayed in the lobby immediately beforehand in order to receive attendance credit. 


  • Recital:  William Socolof, bass-baritone with pianist Gracie Francis.
    • Wednesday,  9/22 at 8:15pm in Ford Hall. 
  • Masterclass: William Socolof, bass-baritone. 
    • ​​​​​​​Thursday,  9/23 at 7pm in Hockett
  • ​​​​​​​Masterclass: Nicole Cabell, soprano.
    • ​​​​​​​Tuesday 10/5 from 12-2pm in Hockett
  • Masterclass: Lawrence Brownlee, tenor
    • Wednesday 10/20 at 7pm in Hockett
  • Recital: Lawrence Brownlee, tenor with pianist
    • Thursday 10/21 at 8:15pm in Ford Hall
  • Recital: Sidney Outlaw, baritone with pianist Warren Jones.
    • ​​​​​​​​​​​​​​Sunday, 10/31 (time tbd) in Hockett


William Socolof, Bass-Baritone

William Socolof

Bass-baritone William Socolof, a native of White Plains, New York, was awarded First Prize in the Young Concert Artists 2020 International Auditions. William began his musical career as a cellist, but had always been drawn to singing, particularly musical theatre, and he began singing classically at the Interlochen Arts Academy in Michigan at age 16. Since then, William has performed with some of the country’s most prestigious classical institutions, in repertoire ranging from chamber music and art song to musical theatre and opera. In the 2020 season, William debuted with the Boston Symphony Orchestra under Andris Nelsons as a soloist in Beethoven’s Choral Fantasy, and with The Juilliard Chamber Orchestra in Alice Tully Hall, singing Mozart’s Concert Aria Per questa bella mano, K 162. On the operatic stage, William has appeared as Daniel Webster in The Mother of Us All in collaboration with MetLiveArts and the New York Philharmonic, and as Don Alfonso in Così fan tutte at The Juilliard School. At the Young Concert Artists International Auditions, William was awarded the Alexander Kasza-Kasser Concert Prize, which provides underwriting support for the Kennedy Center debut of a First Prize Winner, established by the Honorable Mary V. Mochary, as well as concert prizes at the Bridgehampton Chamber Music Festival and the University of Florida Performing Arts.William holds a B.M. and M.M. from The Juilliard School, and is currently pursuing an Artist Diploma in Opera Studies with William Burden.

For more information, click HERE.

Gracie Francis (playing for William Socolof)

Gracie Francis

New Zealander Gracie Francis is a student of Dr Lydia Brown at The Juilliard School, where she commenced a Master of Music in Collaborative Piano (Vocal) in September 2019. She is a proud recipient of a Kovner Fellowship, and studies with the support of a Fulbright General Graduate Award. At Juilliard Gracie is a Diversity Advocate, Gluck Community Service Fellow, and Student Congress representative. Since beginning her studies she has been a winner of Juilliard’s Vocal Arts Honors Recital (2019) with soprano Jessica Niles, and performed with bass-baritone William Socolof for his winning performances in the Young Concert Artists competition (2020).

Gracie received her Bachelor of Music (First Class Honors) in 2014 under Rae de Lisle at the University of Auckland, making professional concerto debuts as both pianist and harpsichordist during her studies. She has also performed in Canada and across Europe.

Before arriving in the US, Gracie worked as répétiteur for New Zealand Opera, university opera productions, National Aria contest, and as Assistant Director of GALS (Gay and Lesbian Singers). For nine years she was a mentor and educator with youth organizations including Opera Factory and the Auckland Youth Choir, touring to Carnegie Hall in 2016 and the Australian International Music Festival in 2019.

Nicole Cabell, Soprano

Nicole Capbell

Nicole Cabell is a soprano faculty member in the Voice, Opera, and Vocal Coaching Department at Eastman School of Music. Named 2005 BBC Cardiff Singer of the World, Ms. Cabell’s ensuing career has taken her to the most important opera stages and concert halls in the world, including the Royal Opera House, Covent Garden; the Metropolitan Opera; Lyric Opera of Chicago; Deutsche Opera Berlin; Tetro Colòn Buenos Aires; and many more. As a concert soloist and recitalist, she has sung throughout the United States, Europe, and Canada. Her recordings include Soprano, an opera recital disc debut for Decca; Silver Rain, songs of Ricky Ian Gordon; Chanson D’Avril; Mademoiselle—Première Audience, Unknown Music of Nadia Boulanger for Delos; and Musetta in La Bohème with Anna Netrebko and Rolando Villazon, as well as in La Bohème: The Film.

Sidney Outlaw, Baritone

Sidney Outlaw

Lauded by The New York Times as a “terrific singer” with a “deep, rich timbre” and the San Francisco Chronicle as an “opera powerhouse” with a “weighty and forthright” sound, Sidney Outlaw was the Grand Prize winner of the Concurso Internacional de Canto Montserrat Caballe in 2010 who delights audiences in the U.S. and abroad with his rich and versatile baritone and engaging stage presence. A graduate of the Merola Opera Program and the Gerdine Young Artist Program at Opera Theatre of Saint Louis, this rising American baritone from Brevard, North Carolina recently added a GRAMMY nomination to his list of accomplishments for the Naxos Records recording of Darius Milhaud’s 1922 opera trilogy, L’Orestie d’Eschyle in which he sang the role of Apollo.

In the 2018-2019 season, Mr. Outlaw sang Dizzy Gillespie in Charlie Parker’s Yardbird with both Atlanta Opera and Arizona Opera, returned to the Baltimore Symphony as a soloist in Handel’s Messiah and Minnesota Opera for the world premiere of The Fix, sang Fauré’s Requiem at Augustana College, Brahms’ Ein deutsches Requiem at Cornell University, and made his debut with Mill City Summer Opera as Guglielmo in Così fan tutte. The 2019-2020 season includes his San Francisco Opera debut as the First Mate in Billy Budd, Messiah with the National Symphony Orchestra, Tommy McIntyre in Fellow Travelers with Madison Opera, Dizzy Gillespie in Yardbird with New Orleans Opera, Beethoven’s Missa solemnis with the Colorado Symphony, and Mahler’s Songs of a Wayfarer with the Toledo Symphony.

Mr. Outlaw has been a featured recitalist with Warren Jones at Carnegie Hall and performed Elijah with the New York Choral Society. He traveled to Guinea as an Arts Envoy with the U.S. State Department, where he performed a program of American music in honor of Black History Month and in remembrance of Dr. Martin Luther King. Mr. Outlaw made his English National Opera debut in the 2011-12 season as Rambo in The Death of Klinghoffer and joined the Metropolitan Opera roster in 2014- 2015 also for The Death of Klinghoffer. Recent engagements include Tommy in Fellow Travelers with Minnesota Opera, Frank Lloyd Wright in Shining Brow with UrbanArias, Mercutio in Roméo et Juliette with Madison Opera, Dandini inLa Cenerentola with Greensboro Opera, Vaugh Williams’ Dona nobis pacem with the Memphis Symphony Orchestra, Fauré’s Requiem and Mechem’s Songs of the Slave with Manhattan Concert Productions at Carnegie Hall, Bach’s B Minor Mass with the Oratorio Society of New York, his Spoleto Festival debut as Jake in Porgy and Bess, Dallapiccola’s Il Prigioniero with the New York Philharmonic, Schaunard in La bohème with the Ash Lawn Festival, and Guglielmo in Mozart’s Cosi fan tutte with North Carolina Opera. Other roles include Figaro in Il barbiere di Siviglia with Atlanta Opera, the title role in Moses with the American Symphony Orchestra, Malcolm X at New York City Opera, Prince Yamadori in Madame Butterfly at Opera on the James, Ariodante in Handel’s Xerxes and Demetrius in Britten’s A Midsummer Night’s Dream for the International Vocal Arts Institute, Papageno in Die Zauberflöte and his international debut as Guglielmo in Così fan tutte, in both Germany and Israel.

A sought-after concert singer and recitalist, Mr. Outlaw made his Schwabacher Recital debut at the San Francisco Opera center with pianist John Churchwell and collaborates regularly with renowned pianists Warren Jones, Carol Wong, Steven Blier, and Michael Barrett. His concert and recital appearances include debuts of renowned works at major concert halls: Haydn’s The Creation and Handel’s Messiah at Carnegie Hall, Beethoven’s Symphony No. 9 at Avery Fisher Hall, Mahler’s Lieder eines Fahrenden Gesellen with Music Academy of the West and “Wednesday At One” at Alice Tully Hall, John Stevens in the world premiere concert of H. Leslie Adam’s opera Blake at the prestigious Schomburg Center for Research in Black Culture in Harlem, and the world premiere of Wayne Oquin’s A Time to Break Silence: Songs inspired by the Words and Writings of Martin Luther King, Jr., commissioned by The Juilliard School.

Mr. Outlaw won 2nd Prize in the Walter W. Naumburg Foundation’s International Competition, 2nd Prize in the 2011 Gerda Lissner Foundation Awards, National semi-finalist in the Metropolitan Opera National Council Auditions, semi-finalist in the Francisco Viñas International Singing Competition, finalist in both Concours International Musical de Montreal and George London Foundation, and grand prize in the Florida Grand Opera/YPO Vocal Competition. He holds a Bachelor’s in music performance from the University of North Carolina and a Master of Vocal Performance from The Juilliard School. Mr. Outlaw has been on Voice Faculty at The Aaron Copland School of Music (Queens College) since 2014.

Warren Jones, playing for Sidney Outlaw

Warren Jones

Warren Jones enjoys a notably eclectic career that has taken him to virtually every corner of the musical world. He performs with some of today’s best-known artists such as Stephanie Blythe and Anthony Dean Griffey, and he is the Principal Pianist for the exciting California-based chamber music ensemble, Camerata Pacifica. In the past he has partnered such great performers as Marilyn Horne, Håkan Hagegård, Kathleen Battle, Samuel Ramey, Christine Brewer, Barbara Bonney, Carol Vaness, Judith Blegen, Salvatore Licitra, Tatiana Troyanos, Thomas Hampson, James Morris, and Martti Talvela; and he has appeared in concerts with both the Juilliard Quartet and the Borremeo Quartet.

Mr. Jones is a longtime faculty member at the Manhattan School of Music and a former faculty member at the Music Academy of the West, and recently finished an appointment as Artist in Residence in Music at the Mason Gross School of the Arts at Rutgers University. In 2017, Mr. Jones was invited by the National Association of Teachers of Singing to be the inaugural Master Teacher in their Intern Program for young collaborative pianists at the Faculty of Music at the University of Toronto; and later in that year, he served as Artist in Residence in Opera at New England Conservatory and at the University of North Carolina School of the Arts. Mr. Jones has received the “Achievement Award” from the Music Teachers National Association of America, their highest honor; and has been selected as “Collaborative Pianist of the Year” by the publication Musical America. In the summer of 2018, he inaugurated an innovative Vocal Workshop program at the Manchester Music Festival in Vermont for young singers and pianists, and he will return there following this engagement in Toronto; and his schedule in 2019 also included a residency at the University of Colorado at Boulder where he will teach and perform alongside members of the Takacs Quartet.

As an invited guest at the White House, Mr. Jones has performed for state dinners in honor of the leaders of Canada, Russia, and Italy; and three times he has been the guest of the Justices of the United States Supreme Court for musical afternoons in the East Conference Room at the Court. As a musical jurist, he has participated in judging the Van Cliburn International Piano Competition, the Montreal International Vocal Competition, the Metropolitan Opera National Auditions, and the Naumberg Awards. He joined the jury of the prestigious First China International Piano Competition in Beijing in May 2019.

A graduate of both New England Conservatory and San Francisco Conservatory of Music, Mr. Jones was honored with the Doctor of Music degree from SFCM, and recently was selected as a faculty member of the Board of Trustees at MSM. His discography contains thirty-one recordings on every major label in a wide range of classical, romantic, and contemporary repertory. His conducting appearances are similarly varied: he has led sold-out critically-acclaimed performances of Mascagni’s L’amico Fritz, Rossini’s Il barbiere di Siviglia, Donizetti’s Don Pasquale, Mozart’s Die Zauberfloete, and Trouble in Tahiti of Bernstein. In 2014 he conducted the world premiere of a new operatic version of A Christmas Carol at the Houston Grand Opera.

Lawrence Brownlee, Tenor

Lawrence Brownlee

Lawrence Brownlee is a leading figure in opera, both as a singer on the world's top stages, and as a voice for activism and diversity in the industry. Captivating audiences and critics around the globe, he has been hailed as “an international star in the bel canto operatic repertory” (The New York Times), “one of the world’s leading bel canto stars” (The Guardian), and “one of the most in-demand opera singers in the world today” (NPR).

Amidst the challenges of COVID-19, Brownlee has emerged as a pivotal voice in classical music’s shift toward digital programming and the resurgence of conversations around racial justice.

In May 2020, Brownlee launched “The Sitdown with LB,” a weekly Facebook Live series which explores the experience of being an African-American opera singer. The ongoing series has featured Brownlee in conversation with renowned artists like George Shirley, Denyce Graves, Martina Arroyo, J’Nai Bridges, Angel Blue, and others. Since April 2020 he has also hosted the video series “Coffee and a Song,” in which he invites artist friends to perform interpretations of art-songs from the intimacy of their own homes, and in August he gave a Masterclass conversation-performance as part of National Sawdust’s Digital Discovery Festival.

Highlights of Brownlee’s 20-21 season include Don Ramiro in La Cenerentola at Palau de les Arts Reina Sofía, his role debut as Edgardo in Lucia di Lammermoor at New National Theatre Tokyo, Arturo in I Puritani with Teatro dell’Opera di Roma, and Tonio in La Fille du Regiment with Opéra Royal de Wallonie-Liège. In concert, Brownlee reprised Lawrence Brownlee and Friends at Lyric Opera of Chicago, Giving Voice at Houston Grand Opera, Lawrence Brownlee and Friends and Cycles of My Being with Opera Philadelphia, as well as a virtual recital with pianist Myra Huang for the Schubert Club International Artist Series, a virtual concert with the the Tallahassee Symphony, the tenor solo in Beethoven’s 9th Symphony with the Tulsa Symphony, and a virtual recital with Music Worcester. In spring 2021, Brownlee joined The Juilliard School as a Distinguished Visiting Faculty Member.